{"id":6433,"date":"2025-03-31T20:39:25","date_gmt":"2025-03-31T23:39:25","guid":{"rendered":"https:\/\/cauim.org\/?p=6433"},"modified":"2026-01-29T15:41:41","modified_gmt":"2026-01-29T18:41:41","slug":"claude-chabrol-2","status":"publish","type":"post","link":"https:\/\/cauim.org\/fr\/claude-chabrol-2\/","title":{"rendered":"CLAUDE CHABROL"},"content":{"rendered":"
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RF Lucchetti
<\/span>E<\/span><\/em>\u00c9dition : Marco Aur\u00e9lio Lucchetti<\/em><\/p>\n

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Depuis le milieu des ann\u00e9es 1960, je suis un admirateur des films du cin\u00e9aste fran\u00e7ais Claude Chabrol (1930-2010). Cependant, je l'ai d\u00e9couvert bien plus t\u00f4t. Plus pr\u00e9cis\u00e9ment, le 9 septembre 1959, lorsque j'ai acquis une copie de Hitchcock<\/em>, un livre qu'il a co\u00e9crit avec \u00c9ric Rohmer (1920-2010).<\/p>\n

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Sixi\u00e8me volume de la collection Classiques du cin\u00e9ma<\/em>, Hitchcock<\/em> Il a \u00e9t\u00e9 publi\u00e9 par les \u00c9ditions Universitaires \u00e0 Paris en 1957 et est, sauf erreur de ma part, le premier ouvrage majeur \u00e9crit sur le Ma\u00eetre du suspense..
<\/span>Chabrol a d\u00fb beaucoup apprendre d'Alfred Hitchcock (1899-1980), car il \u00e9tait un r\u00e9alisateur exp\u00e9riment\u00e9 de films m\u00ealant suspense et drames psychologiques..
E<\/span>ton Dictionnaire des cin\u00e9astes<\/em> (Dictionnaire des cin\u00e9astes<\/em>Georges Sadoul (1904-1967), le plus grand historien du cin\u00e9ma fran\u00e7ais, a d\u00e9clar\u00e9 ce qui suit \u00e0 propos de Claude Chabrol\u00a0:<\/p>\n

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\u201c"D<\/span>r\u00e9alisateur original,<\/span> Il a fait ses d\u00e9buts avec la sinc\u00e9rit\u00e9 de Sous l'emprise de la d\u00e9pendance<\/i> <\/span>(1958) et la splendeur de <\/span>Les Cousins<\/i><\/span> (1959). Il dit :<\/span> \u2018 Le probl\u00e8me du cin\u00e9aste est double\u00a0: rendre sa pens\u00e9e compr\u00e9hensible au plus grand nombre, ce qui rel\u00e8ve de la forme, et d\u00e9manteler le m\u00e9canisme de la r\u00e9alit\u00e9. Le cin\u00e9aste doit avant tout \u00e9viter le faux sentimentalisme et montrer que l\u2019honn\u00eatet\u00e9 d\u2019une soci\u00e9t\u00e9 ali\u00e9n\u00e9e r\u00e9side dans la d\u00e9gradation des valeurs fondamentales. \u2019<\/i> <\/span>Apr\u00e8s un long purgatoire dans les films policiers, durant lequel il avait retir\u00e9 ses griffes, tout en continuant parfois \u00e0 manier subtilement ses coups de pied, il put enfin, en 1967, avec<\/span> Le scandale<\/i>, <\/span>revenir aux sujets que j'ai consid\u00e9r\u00e9s <\/span>s\u00e9rieux<\/span>s: <\/span>\u201d Pour exposer la bassesse de la bourgeoisie, dans des r\u00e9cits soigneusement repli\u00e9s sur eux-m\u00eames. \u00bb<\/span><\/p>\n

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Affiche originale (fran\u00e7aise) du film<\/em>\u00a0<\/span>Le scandale <\/span>(<\/i><\/span>Le<\/span>\u00a0Scandale<\/span>).<\/em><\/p>\n

Un jour, ma grande amie Mariana Portella (c'\u00e9tait une v\u00e9ritable cin\u00e9phile, et je la consid\u00e9rais comme la fille que je n'ai jamais eue), aujourd'hui disparue, m'a demand\u00e9 : \u201c<\/i>Quel est votre film pr\u00e9f\u00e9r\u00e9 de Claude Chabrol ?\u201d
<\/span><\/em>E<\/span>En r\u00e9ponse \u00e0 la question de Mariana, j'ai cit\u00e9 deux enregistrements\u00a0: A<\/em> Femme infid\u00e8le<\/em> (La Femme<\/em> Infid\u00e8le<\/em>, 1969) et Les innocents aux mains sales<\/em> (Les Innocents aux Mains Ventes<\/em>, 1975).
<\/span>A\u00a0<\/i><\/span>Femme infid\u00e8le<\/em> C'est un film parfait, avec une femme bourgeoise comme personnage principal, H\u00e9l\u00e8ne Desvall\u00e9es, interpr\u00e9t\u00e9e par St\u00e9phane Audran (1932-2018), qui \u00e9tait l'\u00e9pouse de Chabrol \u00e0 l'\u00e9poque..
C<\/span>Mari\u00e9e au courtier en assurances Charles Desvall\u00e9es (Michel Bouquet) et m\u00e8re d'un gar\u00e7on, H\u00e9l\u00e8ne provoque la destruction de sa famille et de son foyer en ayant une liaison extraconjugale..
H<\/span>il existe un remake de La femme infid\u00e8le<\/em>: Infid\u00e9lit\u00e9<\/em> (Infid\u00e8le<\/em>, (2002), r\u00e9alis\u00e9 par Adrian Lyne et mettant en vedette Diane Lane et Richard Gere. Mais il ne soutient pas la comparaison avec le film de Chabrol.\u00a0<\/p>\n

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Michel Bouquet et St\u00e9phane Audran, dans une sc\u00e8ne de<\/em> La femme infid\u00e8le.<\/p>\n

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D\u00e9j\u00e0 Les innocents aux mains sales<\/em>, un film \u00e0 suspense plein de rebondissements, pr\u00e9sente une Romy Schneider (nom de sc\u00e8ne de Rosemarie Magdalena Albach, 1938-1982) tr\u00e8s diff\u00e9rente de la figure virginale de l'imp\u00e9ratrice autrichienne Sissi, un r\u00f4le qui l'a rendue c\u00e9l\u00e8bre dans trois films r\u00e9alis\u00e9s par Ernst Marischka (1893-1963) et tourn\u00e9s entre 1955 et 1957..
E<\/span>m Les innocents aux mains sales<\/em>, Romy incarnait une femme qui complote avec son amant pour assassiner son riche mari alcoolique.<\/p>\n

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Romy Schneider, l'actrice principale de\u00a0<\/em>Les innocents aux mains sales<\/span>.<\/em><\/p>\n

J'aurais pu mentionner une troisi\u00e8me cassette \u00e0 Mariana : <\/span>Alice ou la derni\u00e8re \u00e9vasion<\/em> (<\/span>Alice<\/em> ou la derni\u00e8re fugue<\/em>, 1977), dans lequel Claude Chabrol r\u00e9ussit l'exploit de transformer la sensuelle et peu talentueuse Sylvia Kristel (1952-2012), l'\u00e9ternelle Emmanuelle (le personnage cr\u00e9\u00e9 dans les livres \u00e9rotiques d'Emmanuelle Arsan), en une actrice sensible et comp\u00e9tente.<\/span><\/p>\n

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Sylvia Kristel, qui joue Alice, dans<\/em> Alice ou la derni\u00e8re \u00e9vasion.<\/em><\/p>\n

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L'histoire racont\u00e9e dans Alice ou la derni\u00e8re \u00e9vasion<\/em> En r\u00e9sum\u00e9\u00a0: une jeune et belle \u00e9pouse, rel\u00e9gu\u00e9e au second plan par un mari \u00e9go\u00efste, toujours centr\u00e9 sur lui-m\u00eame, ses int\u00e9r\u00eats et sa profession, d\u00e9cide de rompre les liens du mariage et de s\u2019enfuir. Puis, au volant de sa voiture, elle file \u00e0 toute allure sur une route quelconque par une nuit d\u2019orage. De l\u00e0, s\u2019inspirant des deux histoires d\u2019Alice \u00e9crites par l\u2019Anglais Lewis Carroll (1832-1898), Les aventures d'Alice au pays des merveilles<\/em> e De l'autre c\u00f4t\u00e9 du miroir, et ce qu'Alice y trouva<\/em>, Chabrol place son h\u00e9ro\u00efne dans un monde surr\u00e9aliste..
<\/span>A<\/i><\/span>poux ou La Derni\u00e8re \u00c9vasion<\/em> Il a \u00e9t\u00e9 bien accueilli par la critique, notamment fran\u00e7aise, qui a compar\u00e9 le personnage principal aux h\u00e9ro\u00efnes d'Hitchcock, avec lesquelles elle partage\u2026 \u201c une beaut\u00e9 froide et troublante \u201d<\/em>. Certains ont m\u00eame class\u00e9 la production comme \u201c D'une beaut\u00e9 terrible, un film o\u00f9 l'angoisse et la beaut\u00e9 explosent dans chaque image. \u201d<\/em>.<\/p>\n

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Une belle image de <\/em>Alice ou la derni\u00e8re \u00e9vasion.<\/em><\/p>\n

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RF Lucchetti (Rubens Francisco Lucchetti, 1930-2024) \u00e9tait un \u00e9crivain de fiction et un sc\u00e9nariste pour Cinema & Comics.<\/em><\/p>\n

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R. F. LucchettiEdi\u00e7\u00e3o: Marco Aur\u00e9lio Lucchetti Desde os meados da d\u00e9cada de […]<\/p>\n","protected":false},"author":3,"featured_media":6487,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60],"tags":[],"class_list":["post-6433","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinematografo"],"acf":[],"yoast_head":"\nCLAUDE CHABROL - Cine Clube Cauim<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cauim.org\/fr\/claude-chabrol-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CLAUDE CHABROL - Cine Clube Cauim\" \/>\n<meta property=\"og:description\" content=\"R. F. 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