{"id":5785,"date":"2025-01-16T15:45:37","date_gmt":"2025-01-16T18:45:37","guid":{"rendered":"https:\/\/cauim.org\/?p=5785"},"modified":"2026-01-29T16:10:20","modified_gmt":"2026-01-29T19:10:20","slug":"comment-et-quand-a-eu-lieu-la-premiere-projection-du-film","status":"publish","type":"post","link":"https:\/\/cauim.org\/fr\/comment-et-quand-a-eu-lieu-la-premiere-projection-du-film\/","title":{"rendered":"14, BOULEVARD DES CAPUCINES"},"content":{"rendered":"
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<\/p>\n

RF Lucchetti
Edit\u00e9 par : Marco Auer\u00e9lio Lucchetti<\/i><\/p>\n

Le cin\u00e9ma, septi\u00e8me art, est n\u00e9 en hiver. Et \u00e0 Paris, l'hiver est sombre et maussade. <\/span>Il s'accompagne d'un vent froid et mordant qui cr\u00e9e des tourbillons. Il s'accompagne \u00e9galement d'une pluie l\u00e9g\u00e8re et...\u00a0<\/span>persistant. Les fa\u00e7ades des maisons s'assombrissent, l'eau \u00e9clabousse sur\u00a0<\/span>Des trottoirs. Seuls les arbres restent lumineux, et leurs derni\u00e8res feuilles recouvrent le sol.\u00a0<\/span>des grandes avenues silencieuses et de <\/span>boulevards<\/i><\/span> tremblant.
O<\/span>\u00a0Le boulevard des Capucines a ses vieux arbres avec des taches rondes et\u00a0Troncs blanch\u00e2tres.
C<\/span>Le vent emporte les feuilles mortes des branches, une pluie dor\u00e9e.
Nous sommes en d\u00e9cembre 1939.
La guerre a \u00e9clat\u00e9.
Les grandes vitrines des magasins adoucissent la lumi\u00e8re au cr\u00e9puscule.
Manuel Villegas L\u00f3pez, le c\u00e9l\u00e8bre \u00e9crivain, critique et historien espagnol, s'arr\u00eate un instant devant l'immense b\u00e2timent, regarde sa montre. Son imagination remonte le temps\u2026 encore plus loin\u2026
Jusqu'en d\u00e9cembre 1895.
L'historien s'approche du b\u00e2timent. Il aper\u00e7oit le num\u00e9ro 14. Et il lit l'inscription sur le marbre\u00a0: \u201c C\u2019est ici, le 28 d\u00e9cembre 1895, que se tint la premi\u00e8re s\u00e9ance publique\u2026 \u00bb <\/i>"Photographie anim\u00e9e, utilisant l'appareil cin\u00e9matographique des fr\u00e8res Lumi\u00e8re."\u201d
<\/i>\u201c<\/i>\u201d Le cin\u00e9ma ne poss\u00e8de aucun monument qui retrace son histoire. \u00bb<\/i><\/span>, Villegas pense <\/span>L\u00f3pez. Il est propri\u00e9taire de cet immeuble, mais celui-ci repr\u00e9sente la vie du cin\u00e9ma. C'est ici qu'il y avait le\u00a0<\/span>Le Grand Caf\u00e9, dans le sous-sol duquel, au Salon Indien, fut install\u00e9 le premier cin\u00e9ma du monde.
A<\/span>Il semblait y avoir trente-trois curieux, chacun payant un franc. C'\u00e9tait un apr\u00e8s-midi comme celui-ci, gris et froid, sous une pluie fine et persistante, sous le bruissement des arbres qui perdaient leurs feuilles.
Villegas L\u00f3pez se recroqueville dans son \u00e9pais manteau. Son regard triste erre \u00e0 travers le temps, comme s'il cherchait \u00e0 retrouver l'image de cet apr\u00e8s-midi pour que ce jour puisse devenir le joyeux trente-quatri\u00e8me. \u201c"curieux"\u201d<\/em>.
Le Grand Caf\u00e9 n'existe plus. \u00c0 sa place, huit ou dix grandes vitrines illumin\u00e9es ont surgi, faisant le tour de l'angle de la rue Scribe. Au-dessus, en lettres de bronze, on peut lire : \u201c Agence Cook \u201d<\/em>. Et dans les vitrines, des publicit\u00e9s pour des voyages. Palmeiras\u00a0: \u201c Tahiti et les \u00eeles paradisiaques de<\/em>\u00a0Polyn\u00e9sie."\u201d<\/em> Montagnes, lacs : \u201c"Visitez la Norv\u00e8ge."\u201d<\/em> Les pyramides d'\u00c9gypte et le sommet enneig\u00e9 du mont Fuji\u2026 Les drapeaux multicolores des expositions internationales. La cabine luxueuse du dernier paquebot et le tout dernier mod\u00e8le d'avion de ligne. Un train lanc\u00e9 \u00e0 pleine vitesse semble vouloir s'\u00e9chapper de l'affiche. \u201cVoyagez \u00e0 travers le monde avec Cook Agency.\u201d<\/em>
Lors de cette premi\u00e8re projection, dix films ont \u00e9t\u00e9 projet\u00e9s, chacun d'une dur\u00e9e l\u00e9g\u00e8rement sup\u00e9rieure \u00e0 une minute. L'arriv\u00e9e d'un train en gare<\/i> e Les ouvriers quittant l'usine Lumi\u00e8re<\/i> Ce sont deux des plus c\u00e9l\u00e8bres.<\/p>\n

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\"\"<\/figure>\n

Une sc\u00e8ne de<\/em> Les ouvriers quittant l'usine Lumi\u00e8re.<\/em><\/p>\n

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Ces films rest\u00e8rent \u00e0 l'affiche pendant plusieurs mois \u2013 les premiers billets rapport\u00e8rent trente-trois francs\u00a0; trois semaines plus tard, ils rapportaient deux mille cinq cents francs par jour, sans aucune publicit\u00e9. C'\u00e9taient des documentaires et des reportages, ou plut\u00f4t,\u00a0 \u201c<\/em>voyages\u201d<\/i>; et les fr\u00e8res Lumi\u00e8re ont nomm\u00e9 leur invention <\/span>\u201c le grand voyageur \u201d.
<\/i>N<\/span>\u00c0 l'\u00e9poque, le cin\u00e9ma n'avait qu'un seul but\u00a0: celui d'\u00eatre un grand voyageur. Et les passants insouciants entraient dans la premi\u00e8re salle avec la m\u00eame illusion, le m\u00eame r\u00eave qui, en ce froid apr\u00e8s-midi de d\u00e9cembre 1939, les fait s'arr\u00eater devant ces vitrines charg\u00e9es d'affiches de voyage. Au m\u00eame endroit, \u00e0 la m\u00eame fen\u00eatre ouverte sur le monde.
Manuel Villegas L\u00f3pez jette un dernier coup d'\u0153il \u00e0 la vitrine et se remet en marche. Nous sommes \u00e0 la fin de l'ann\u00e9e 1939\u00a0; pourtant, l'historien espagnol a l'impression d'\u00eatre revenu \u00e0 cette lointaine fin de 1895.
Peu \u00e0 peu, la silhouette de Villegas L\u00f3pez commence \u00e0 se fondre dans la foule des passants press\u00e9s. boulevard<\/em> mouill\u00e9.
Il pleut, et le vent d\u00e9verse ses gerbes d'or sur les branches\u2026 une pluie d'or\u2026<\/p>\n

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\n
RF Lucchetti (Rubens Francisco Lucchetti, 1930-2024) \u00e9tait un \u00e9crivain de fiction et un sc\u00e9nariste pour Cinema & Comics.<\/i><\/div>\n<\/figure>\n

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R. F. LucchettiEdi\u00e7\u00e3o: Marco Auer\u00e9lio Lucchetti O Cinema, a S\u00e9tima Arte, nasceu […]<\/p>\n","protected":false},"author":3,"featured_media":5786,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60],"tags":[],"class_list":["post-5785","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinematografo"],"acf":[],"yoast_head":"\n14, BOULEVARD DES CAPUCINES - Cine Clube Cauim<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cauim.org\/fr\/comment-et-quand-a-eu-lieu-la-premiere-projection-du-film\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"14, BOULEVARD DES CAPUCINES - Cine Clube Cauim\" \/>\n<meta property=\"og:description\" content=\"R. 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