{"id":11289,"date":"2026-05-18T13:10:07","date_gmt":"2026-05-18T16:10:07","guid":{"rendered":"https:\/\/cauim.org\/?p=11289"},"modified":"2026-07-30T08:15:29","modified_gmt":"2026-07-30T11:15:29","slug":"cinema-literatura-2","status":"publish","type":"post","link":"https:\/\/cauim.org\/fr\/cinema-literatura-2\/","title":{"rendered":"CIN\u00c9MA ET LITT\u00c9RATURE"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"11289\" class=\"elementor elementor-11289\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4ab04ae elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4ab04ae\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2c840bb0\" data-id=\"2c840bb0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-75702116 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"75702116\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>TERMO DE FOMENTO N\u00ba 304\/2026<em><br \/><\/em>P<\/strong><strong>ROCESSO SCEC-PRC-2026-00159-DM<em><br \/><\/em>D<\/strong><strong>emanda 100870<em><br \/><\/em>U<\/strong><strong>GE\u00a0120125<\/strong><\/p>\n<p>O projeto <strong>CIN\u00c9MA ET LITT\u00c9RATURE<\/strong> \u00e9 uma atividade, com sess\u00f5es gratuitas de cinema, dirigida \u00e0s associa\u00e7\u00f5es de bairros de Ribeir\u00e3o Preto, por meio da FABARP \u2013 Federa\u00e7\u00e3o das Associa\u00e7\u00f5es de Bairros de Ribeir\u00e3o Preto (CNPJ 51.822.583\/0001-777), alunos das redes p\u00fablica e privada de ensino e p\u00fablico em geral. Ser\u00e3o exibidos filmes adaptados de obras liter\u00e1rias de g\u00eaneros diversos. O objetivo do projeto \u00e9 aproximar a popula\u00e7\u00e3o ribeir\u00e3o-pretana desta forma de cultura, do livro e dos universos que ela abre para a forma\u00e7\u00e3o integral do ser humano.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p>Le cin\u00e9ma s&#039;est toujours inspir\u00e9 de la litt\u00e9rature pour trouver des th\u00e8mes et des intrigues qui ont donn\u00e9 naissance \u00e0 des films des genres les plus vari\u00e9s.<em><br \/><\/em>Muitos desses filmes alcan\u00e7aram grande sucesso de p\u00fablico e\/ou se tornaram verdadeiros cl\u00e1ssicos. A palavra escrita, ferramenta fundamental da Literatura, exige talvez mais esfor\u00e7o do que a imagem, para ser entendida pelo receptor. Mas ambas, palavra escrita e imagem, necessitam da mente humana no processo de defini\u00e7\u00e3o do discurso. E a pr\u00f3pria palavra <em>\u201c&quot;imaginer&quot;\u201d<\/em> Cela nous permet d\u00e9j\u00e0 de comprendre que toute pens\u00e9e humaine est structur\u00e9e comme une image. Autrement dit, le monde ne peut \u00eatre pens\u00e9 qu&#039;\u00e0 travers des images.<em><br \/><\/em>Suite \u00e0 ce pr\u00e9ambule, nous tenons \u00e0 pr\u00e9ciser que les films projet\u00e9s lors des s\u00e9ances <strong>CIN\u00c9MA ET LITT\u00c9RATURE<\/strong> Ils cherchent, de diverses mani\u00e8res, \u00e0 rendre compte de cette relation entre le mot \u00e9crit et l&#039;image, dans un processus que les chercheurs appelleraient transcodage.<\/p>\n<p>A seguir, a <strong>PROGRAMA\u00c7\u00c3O<\/strong> completa.<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DO DIA 22\/05\/2026<\/strong>\u00a0<\/p>\n<p><strong>22\/05\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>A<\/em><\/strong><strong><em>\u00a0John Guimar\u00e3es Rosa<\/em><\/strong> (Brasil, 1968, 35&#8242;)<em><br \/><\/em>Images de l&#039;arri\u00e8re-pays du Minas Gerais (types humains, aspects g\u00e9ographiques, t\u00e2ches m\u00e9nag\u00e8res) et extraits narr\u00e9s du roman.\u00a0<em>Grande Sert\u00e3o: Veredas<\/em>\u00a0(1956), de l&#039;\u00e9crivain du Minas Gerais Jo\u00e3o Guimar\u00e3es Rosa (1908-1967).<em><br \/><\/em><strong>Direction:<\/strong> Roberto Santos &amp; Marcelo Tassara<em><br \/><\/em><strong>Narra\u00e7\u00e3o:<\/strong> Humberto Mar\u00e7al<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<em><br \/><strong>F<\/strong><\/em><strong><em>ran\u00e7oise<\/em><\/strong> (Brasil, 2001, 22&#8242;)<em><br \/><\/em>Deux personnes solitaires, une jeune fille nomm\u00e9e Fran\u00e7oise et un voyageur, se rencontrent dans une gare routi\u00e8re.<em><br \/><\/em>Adaptation de la nouvelle \u00e9ponyme de Luiz Vilela.<em><br \/><\/em><strong>Direction:<\/strong> Rafael Conde<em><br \/><\/em><strong>Casting:<\/strong> D\u00e9bora Falabella, Fernando Ernesto e Rog\u00e9rio Falabelle<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 10 anos<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DOS DIAS 27\/05\/2026, 28\/05\/2026 E 29\/05\/2026<\/strong><\/p>\n<p><strong>27\/05\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>I<\/em><\/strong><strong><em>Inventaire de la Rapine<\/em><\/strong> (Brasil, 1985, 30&#8242;)<em><br \/><\/em>Utilisant des textes, des r\u00e9cits et de la musique du po\u00e8te, essayiste et traducteur Cl\u00e1udio Willer (1940-2023), le film enregistre des impressions du Br\u00e9sil dans la premi\u00e8re moiti\u00e9 des ann\u00e9es 1980 et peut \u00eatre d\u00e9fini comme un drame intimiste et patriotique.<em><br \/><\/em>Les segments autonomes sont coll\u00e9s ensemble, toujours avec une certaine dissonance entre le son et l&#039;image.<em><br \/><\/em>Parmi les dialogues puissants du film, Aloysio Raulino d\u00e9clare :\u00a0<em>\u201c Certains morts sont trop g\u00eanants. Des morts dont personne ne veut entendre parler, que personne ne veut voir ! \u201d<br \/><\/em><strong>Direction:<\/strong> Aloysio Raulino<em><br \/><\/em><strong>Casting:<\/strong> Tamy Marrachine, Jos\u00e9 Gomes, Tavinho, Mineiro, Piriri, Lia<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 14 anos.<\/p>\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-9419\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-1024x694.jpg\" sizes=\"(max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-1024x694.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-300x203.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-768x520.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-650x440.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1.jpg 1423w\" alt=\"\" width=\"1024\" height=\"694\" \/><\/figure>\n<p><em>Une sc\u00e8ne de<\/em>\u00a0Inventaire du butin<em>.<\/em><\/p>\n<p><strong>28\/05\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>E<\/em><\/strong><strong><em>Pagu, Eh !<\/em><\/strong> (Brasil, 1982, 15&#8242;)<em><br \/><\/em>Le film a \u00e9t\u00e9 r\u00e9alis\u00e9 \u00e0 une \u00e9poque o\u00f9 la m\u00e9moire de l&#039;\u00e9crivaine, journaliste et militante politique Patr\u00edcia Galv\u00e3o (1910-1962), connue sous le nom de Pagu, \u00e9tait red\u00e9couverte ; elle \u00e9tait rest\u00e9e, jusque-l\u00e0, dans une relative obscurit\u00e9.<em><br \/>H\u00e9 Pagu, h\u00e9 !<\/em>\u00a0Il retrace le parcours de Pagu, offrant un portrait g\u00e9n\u00e9reux de l&#039;auteur de\u00a0<em>parc industriel<\/em>\u00a0(Publi\u00e9 en 1933, Pagu l&#039;a sign\u00e9 du pseudonyme Mara Lobo), consid\u00e9r\u00e9 comme le premier roman prol\u00e9tarien br\u00e9silien.<em><br \/><\/em><strong>Direction:<\/strong> Ivo Branco<em><br \/><\/em><strong>Casting:<\/strong> Edith Siqueira, Clodomiro Bacellar, Aldo Bueno e Julio Calasse<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 14 anos.<em><br \/><\/em><strong><em>Je m&#039;appelle Paulo Leminski<\/em><\/strong> (Brasil, 2004, 5&#8242;)<em><br \/><\/em>Un film qu&#039;on pourrait appeler\u00a0<em>\u201c&quot;exp\u00e9rimental&quot;\u201d<\/em>\u00a0et qui conserve, dans sa forme, l&#039;irr\u00e9v\u00e9rence du po\u00e8te et \u00e9crivain du Paran\u00e1, Paulo Leminski (1944-1989), et son non-conformisme aux normes \u00e9tablies.<em><br \/><\/em><strong>Direction:<\/strong> Cezar Migliorin<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<\/p>\n<p><strong>29\/05\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>G<\/em><\/strong><strong><em>Eraldo volant<\/em><\/strong> (Brasil, 1994, 11&#8242;)<em><br \/><\/em>Un gar\u00e7on issu d&#039;une favela, dot\u00e9 d&#039;un don particulier, finit par se retrouver m\u00eal\u00e9 \u00e0 des trafiquants de drogue.<em><br \/><\/em>Bas\u00e9 sur les \u0153uvres du dessinateur de bandes dessin\u00e9es am\u00e9ricain Will Eisner (1917-2005).<em><br \/><\/em><strong>Direction:<\/strong> Bruno Vianna.<em><br \/><\/em><strong>Casting:<\/strong> Robson dos Santos, Bruno Garcia, Renato Pinheiro, Maria Gladys, Helena Ignee<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 14 anos.<strong><em><br \/>C<\/em><\/strong><strong><em>Bonheur terrestre<\/em><\/strong> (Brasil, 1998, 14&#8242;)<em><br \/><\/em>L&#039;enfance de l&#039;\u00e9crivaine Clarice Lispector (1920-1977), mettant en lumi\u00e8re son amour pour les animaux et sa passion pour les livres.<em><br \/><\/em>Le film rassemble quelques r\u00e9cits\/chroniques de son enfance dans la ville de Recife, dans les ann\u00e9es 1920.<em><br \/><\/em><strong>Direction:<\/strong> Marcelo Gomes &amp; Beto Normal<em><br \/><\/em><strong>Casting:<\/strong> Luisa Phebo, Nathalia Corintha, Germano Haiut, Sarah Hazin e Isabel Brito<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DOS DIAS 04\/06\/2026 E 05\/06\/2026\u00a0<\/strong><\/p>\n<p><strong>04\/06\/2025 \u2013 16 horas<\/strong><\/p>\n<p><em><strong>A<\/strong><\/em><strong><em>Ils ont vol\u00e9 la grammaire<\/em><\/strong> (Brasil, 1984, 12&#8242;)<em><br \/><\/em>Le film pr\u00e9sente les po\u00e8tes Francisco Alvim, Paulo Leminski (1944-1989), Waly Salom\u00e3o (1943-2003) et Chacal (pseudonyme de Ricardo de Carvalho Duarte), ainsi qu&#039;un hommage \u00e0 la po\u00e8te Ana Cristina C\u00e9sar (1952-1983).<em><br \/><\/em><strong>Direction:<\/strong> Ana Maria Magalh\u00e3es<em><br \/><\/em><strong>Casting:<\/strong> Perfeito Fortuna, Lu\u00eds Fernando Guimar\u00e3es e Jorge Barr\u00e3o<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<em><br \/><\/em><strong><em>Patativa<\/em><\/strong> (Brasil, 2001, 10&#8242;)<em><br \/><\/em>Aspects de la vie et de l&#039;\u0153uvre de la po\u00e9tesse Patativa do Assar\u00e9 (1909-2002), l&#039;un des plus grands noms de la culture populaire du Nord-Est br\u00e9silien.<em><br \/><\/em><strong>Direction:<\/strong> \u00cdtalo Maia<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<\/p>\n<p><strong>05\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>A<\/em><\/strong><strong><em>\u00a0John Guimar\u00e3es Rosa<\/em><\/strong> (Brasil, 1968, 35&#8242;)<em><br \/><\/em>Images de l&#039;arri\u00e8re-pays du Minas Gerais (types humains, aspects g\u00e9ographiques, t\u00e2ches m\u00e9nag\u00e8res) et extraits narr\u00e9s du roman.\u00a0<em>Grande Sert\u00e3o: Veredas<\/em>\u00a0(1956), de l&#039;\u00e9crivain du Minas Gerais Jo\u00e3o Guimar\u00e3es Rosa (1908-1967).<em><br \/><\/em>R\u00e9alis\u00e9 par : Roberto Santos et Marcelo Tassara<em><br \/><\/em>Narration : Humberto Mar\u00e7al<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<em><br \/><strong>R<\/strong><\/em><strong><em>Rio de Janeiro, Minas Gerais<\/em><\/strong> (Brasil, 1991, 8&#8242;)<em><br \/><\/em>Un homme raconte sa rencontre, \u00e0 l&#039;\u00e2ge de quatorze ans, avec un gar\u00e7on \u00e9trange qui l&#039;a guid\u00e9 \u00e0 travers la petite ville de Rio de Janeiro, \u00e0 la recherche du courage.<em><br \/><\/em>Bas\u00e9 sur un \u00e9pisode de\u00a0<em>Grande Sert\u00e3o: Veredas<\/em>, de Guimar\u00e3es Rosa. L&#039;\u00e9pisode raconte la premi\u00e8re rencontre entre Riobaldo et Diadorim.<em><br \/><\/em>R\u00e9alis\u00e9 par : Marily da Cunha Bezerra<em><br \/><\/em>Elenco: Nanna de Castro, Cristina Ferrantini, Evandro dos Passos Xavier e Paulo de Souze<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 08\/06\/2026 A\u00a0 12\/06\/2026<\/strong><\/p>\n<p><strong>08\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>T<\/em><\/strong><strong><em>Th\u00e9orie du m\u00e9daillon<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>Le p\u00e8re et le fils discutent apr\u00e8s un d\u00eener d&#039;anniversaire pour le fils, qui f\u00eate ses vingt et un ans.<em><br \/><\/em>Le film est bas\u00e9 sur la nouvelle &quot;Teoria do Medalh\u00e3o&quot; (1881), de Machado de Assis (1839-1908).<em><br \/><\/em><strong>Direction:<\/strong> Mario Vieira da Silva<em><br \/><\/em><strong>Casting:<\/strong> Ney Leontsinis, Pablo Barbosa e Edilene Mello<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>09\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>O<\/em><\/strong><strong><em>\u00a0Affaire judiciaire<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>Dami\u00e3o doit convaincre Dona Rita de dissuader son p\u00e8re de l&#039;id\u00e9e de le faire pr\u00eatre.<em><br \/><\/em>Le film est bas\u00e9 sur la nouvelle du m\u00eame nom de Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong> Liloye Boubli<em><br \/><\/em><strong>Casting:<\/strong> Juliana Terra, Roberto Monzo, Luis Fernando Brunogeni, Daniele Janu\u00e1rio<em><br \/><\/em><strong>Participa\u00e7\u00e3o Especial:<\/strong> Nat\u00e1lia Corr\u00eaa Nami<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>10\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>U<\/em><\/strong><strong><em>La visite d&#039;Alcibiade<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>Joaquim Soares re\u00e7oit la visite inhabituelle d&#039;un h\u00e9ros olympique grec.<em><br \/><\/em>Le film est une adaptation libre de la nouvelle \u00e9ponyme de Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong> Oct\u00e1vio Bezerra<em><br \/><\/em><strong>Participa\u00e7\u00e3o Especial:<\/strong> Tonico Pereira<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>11\/06\/2025 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>E<\/em><\/strong><strong><em>entre Santos<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>Sous le clair de lune qui illumine l&#039;\u00e9glise, un pr\u00eatre est t\u00e9moin d&#039;\u00e9v\u00e9nements \u00e9tonnants.<em><br \/><\/em>Le film est une adaptation de la nouvelle \u00e9ponyme de Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong> Helena Lustosa<em><br \/><\/em><strong>Casting:<\/strong> Juliana Terra, Elder Cardozo, Luis Bruno Rezende, Paulo Lamego, Roberto Lopes, Pablo Henrique, Rodrigo Hallvys, Alvaro Machado, Nat\u00e1lia Corr\u00eaa Nami<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>12\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>Quelques armes<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>In\u00e1cio, un gar\u00e7on de quinze ans, est attir\u00e9 par les bras ind\u00e9cemment d\u00e9nud\u00e9s de Dona Severina, mari\u00e9e \u00e0 un homme brutal.<em><br \/><\/em>Le film est bas\u00e9 sur la nouvelle du m\u00eame nom de Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong> Jom Tob Azulay<em><br \/><\/em><strong>Casting:<\/strong> \u00cdtala Mattos, Lucas Sant\u2019Anna, Ney Leontsinis e Geni Alexandrine<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 15\/06\/2026 A 19\/06\/2026<\/strong><\/p>\n<p><strong>15\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>O<\/em><\/strong><strong><em>\u00a0Infirmi\u00e8re<\/em><\/strong> (Brasil, 1999, 23&#8242;)<em><br \/><\/em>O enfermeiro Proc\u00f3pio Valongo deixa o Rio de Janeiro, para ir cuidar de um velho rico e doente que mora numa cidade do interior. O velho tem um comportamento agressivo e intolerante. O enfermeiro resiste a xingamentos e bengaladas, at\u00e9 que um dia\u2026<em><br \/><\/em><strong>Direction:<\/strong> Mauro Farias<em><br \/><\/em><strong>Casting:<\/strong> Matheus Nachtergale, Paulo Autran, Giuseppe Orist\u00e2nee<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>16\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>A<\/em><\/strong><strong><em>\u00a0John Guimar\u00e3es Rosa<\/em><\/strong> (Brasil, 1968, 35&#8242;)<em><br \/><\/em>Images de l&#039;arri\u00e8re-pays du Minas Gerais (types humains, aspects g\u00e9ographiques, t\u00e2ches m\u00e9nag\u00e8res) et extraits narr\u00e9s du roman.\u00a0<em>Grande Sert\u00e3o: Veredas<\/em>\u00a0(1956), de l&#039;\u00e9crivain du Minas Gerais Jo\u00e3o Guimar\u00e3es Rosa (1908-1967).<em><br \/><\/em><strong>Direction:<\/strong> Roberto Santos &amp; Marcelo Tassara<em><br \/><\/em><strong>Narra\u00e7\u00e3o:<\/strong> Humberto Mar\u00e7al<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<em><br \/><strong>F<\/strong><\/em><strong><em>ran\u00e7oise<\/em><\/strong> (Brasil, 2001, 22&#8242;)<em><br \/><\/em>Deux personnes solitaires, une jeune fille nomm\u00e9e Fran\u00e7oise et un voyageur, se rencontrent dans une gare routi\u00e8re.<em><br \/><\/em>Adaptation de la nouvelle \u00e9ponyme de Luiz Vilela.<em><br \/><\/em><strong>Direction:<\/strong> Rafael Conde<em><br \/><\/em><strong>Casting:<\/strong> D\u00e9bora Falabella, Fernando Ernesto e Rog\u00e9rio Falabella<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 10 anos.<\/p>\n<p><strong>17\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>I<\/em><\/strong><strong><em>Inventaire de la Rapine<\/em><\/strong> (Brasil, 1985, 30&#8242;)<em><br \/><\/em>Utilisant des textes, des r\u00e9cits et de la musique du po\u00e8te, essayiste et traducteur Cl\u00e1udio Willer (1940-2023), le film enregistre des impressions du Br\u00e9sil dans la premi\u00e8re moiti\u00e9 des ann\u00e9es 1980 et peut \u00eatre d\u00e9fini comme un drame intimiste et patriotique.<em><br \/><\/em>Les segments autonomes sont coll\u00e9s ensemble, toujours avec une certaine dissonance entre le son et l&#039;image.<em><br \/><\/em>Parmi les dialogues puissants du film, Aloysio Raulino d\u00e9clare :\u00a0<em>\u201c Certains morts sont trop g\u00eanants. Des morts dont personne ne veut entendre parler, que personne ne veut voir ! \u201d<br \/><\/em><strong>Direction:<\/strong> Aloysio Raulino<em><br \/><\/em><strong>Casting:<\/strong> Tamy Marrachine, Jos\u00e9 Gomes, Tavinho, Mineiro, Piriri, Lia<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 14 anos.<\/p>\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-9419\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-1024x694.jpg\" sizes=\"(max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-1024x694.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-300x203.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-768x520.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-650x440.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1.jpg 1423w\" alt=\"\" width=\"1024\" height=\"694\" \/><\/figure>\n<p><em>Une sc\u00e8ne de<\/em>\u00a0Inventaire du butin<em>.<\/em><\/p>\n<p><strong>18\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>E<\/em><\/strong><strong><em>Pagu, Eh !<\/em><\/strong> (Brasil, 1982, 15&#8242;)<em><br \/><\/em>Le film a \u00e9t\u00e9 r\u00e9alis\u00e9 \u00e0 une \u00e9poque o\u00f9 la m\u00e9moire de l&#039;\u00e9crivaine, journaliste et militante politique Patr\u00edcia Galv\u00e3o (1910-1962), connue sous le nom de Pagu, \u00e9tait red\u00e9couverte ; elle \u00e9tait rest\u00e9e, jusque-l\u00e0, dans une relative obscurit\u00e9.<em><br \/>H\u00e9 Pagu, h\u00e9 !<\/em>\u00a0Il retrace le parcours de Pagu, offrant un portrait g\u00e9n\u00e9reux de l&#039;auteur de\u00a0<em>parc industriel<\/em>\u00a0(Publi\u00e9 en 1933, Pagu l&#039;a sign\u00e9 du pseudonyme Mara Lobo), consid\u00e9r\u00e9 comme le premier roman prol\u00e9tarien br\u00e9silien.<em><br \/><\/em><strong>Direction:<\/strong> Ivo Branco<em><br \/><\/em><strong>Casting:<\/strong> Edith Siqueira, Clodomiro Bacellar, Aldo Bueno e Julio Calasso<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 14 anos<em><br \/><\/em><strong><em>Je m&#039;appelle Paulo Leminski<\/em><\/strong> (Brasil, 2004, 5&#8242;)<em><br \/><\/em>Un film qu&#039;on pourrait appeler\u00a0<em>\u201c&quot;exp\u00e9rimental&quot;\u201d<\/em>\u00a0et qui conserve, dans sa forme, l&#039;irr\u00e9v\u00e9rence du po\u00e8te et \u00e9crivain du Paran\u00e1, Paulo Leminski (1944-1989), et son non-conformisme aux normes \u00e9tablies.<em><br \/><\/em><strong>Direction:<\/strong> Cezar Migliorie<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<\/p>\n<p><strong>19\/06\/2025 \u2013 16 horas<\/strong><\/p>\n<p><em><strong>A<\/strong><\/em><strong><em>Ils ont vol\u00e9 la grammaire<\/em><\/strong> (Brasil, 1984, 12&#8242;)<em><br \/><\/em>Le film pr\u00e9sente les po\u00e8tes Francisco Alvim, Paulo Leminski (1944-1989), Waly Salom\u00e3o (1943-2003) et Chacal (pseudonyme de Ricardo de Carvalho Duarte), ainsi qu&#039;un hommage \u00e0 la po\u00e8te Ana Cristina C\u00e9sar (1952-1983).<em><br \/><\/em><strong>Direction:<\/strong> Ana Maria Magalh\u00e3es<em><br \/><\/em><strong>Casting:<\/strong> Perfeito Fortuna, Lu\u00eds Fernando Guimar\u00e3es e Jorge Barr\u00e3o<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<em><br \/><\/em><strong><em>Patativa<\/em><\/strong> (Brasil, 2001, 10&#8242;)<em><br \/><\/em>Aspects de la vie et de l&#039;\u0153uvre de la po\u00e9tesse Patativa do Assar\u00e9 (1909-2002), l&#039;un des plus grands noms de la culture populaire du Nord-Est br\u00e9silien.<em><br \/><\/em><strong>Direction:<\/strong> \u00cdtalo Maia<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 22\/06\/2026 A\u00a0 26\/06\/2026<\/strong><\/p>\n<p><strong>22\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>G<\/em><\/strong><strong><em>Eraldo volant<\/em><\/strong> (Brasil, 1994, 11&#8242;)<em><br \/><\/em>Un gar\u00e7on issu d&#039;une favela, dot\u00e9 d&#039;un don particulier, finit par se retrouver m\u00eal\u00e9 \u00e0 des trafiquants de drogue.<em><br \/><\/em>Bas\u00e9 sur les \u0153uvres du dessinateur de bandes dessin\u00e9es am\u00e9ricain Will Eisner (1917-2005).<em><br \/><\/em><strong>Direction:<\/strong> Bruno Vianna.<em><br \/><\/em><strong>Casting:<\/strong> Robson dos Santos, Bruno Garcia, Renato Pinheiro, Maria Gladys, Helena Ignee<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 14 anos.<strong><em><br \/>C<\/em><\/strong><strong><em>Bonheur terrestre<\/em><\/strong> (Brasil, 1998, 14&#8242;)<em><br \/><\/em>L&#039;enfance de l&#039;\u00e9crivaine Clarice Lispector (1920-1977), mettant en lumi\u00e8re son amour pour les animaux et sa passion pour les livres.<em><br \/><\/em>Le film rassemble quelques r\u00e9cits\/chroniques de son enfance dans la ville de Recife, dans les ann\u00e9es 1920.<em><br \/><\/em><strong>Direction:<\/strong> Marcelo Gomes &amp; Beto Normal<em><br \/><\/em><strong>Casting:<\/strong> Luisa Phebo, Nathalia Corintha, Germano Haiut, Sarah Hazin e Isabel Brito<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<\/p>\n<p><strong>23\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>V<\/em><\/strong><em><strong>Voyages \u00e0 sec<\/strong><\/em> (Brasil, 1963, 103\u2019)<em><br \/><\/em>O filme mostra a jornada de uma fam\u00edlia de retirantes \u2013 Fabiano, Sinh\u00e1 Vit\u00f3ria, os dois filhos e a cachorra Baleia \u2013 que foge da seca no sert\u00e3o nordestino em busca de sobreviv\u00eancia.<em><br \/><\/em>O filme, integrante da primeira fase do Cinema Novo, \u00e9 baseado no romance hom\u00f4nimo de Graciliano Ramos (1892-1953).<em><br \/><\/em><strong>Direction:<\/strong> Nelson Pereira dos Santos<em><br \/><\/em><strong>Casting:<\/strong> \u00c1tila I\u00f3rio, Maria Ribeiro, Jofre Soares, Genivaldo Lima, Gilvan Lima, Orlando Macedo, Pedro Santos, Maria Rosa, a cadela Baleia<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 12 anos.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:image {\"id\":11291,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} --><\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"567\" class=\"wp-image-11291\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1024x567.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1024x567.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-300x166.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-768x425.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1536x851.jpg 1536w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-2048x1134.jpg 2048w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-18x10.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-650x360.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1320x731.jpg 1320w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<p><!-- \/wp:image --><!-- wp:paragraph --><\/p>\n<p><em>Une sc\u00e8ne de<\/em> Vidas Secas<em>, mostrando \u00c1tila I\u00f3rio, Maria Ribeiro e a cadela Baleia.<\/em><\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p><strong>24\/06\/ 2026 \u2013 16 horas<em><br \/>Macuna\u00edma<\/em><\/strong> (Brasil, 1969, 105\u2019)<em><br \/>Macuna\u00edma<\/em> narra a hist\u00f3ria de um anti-her\u00f3i, ou melhor, <em>\u201cum her\u00f3i sem nenhum car\u00e1ter\u201d<\/em>, nascido no fundo da mata virgem. De preto ele vira branco, ao passar por uma fonte milagrosa, e troca a mata pela cidade, onde vive incr\u00edveis aventuras, acompanhado de seus irm\u00e3os. Na cidade, nosso <em>\u201cher\u00f3i\u201d<\/em>, segue um caminho surreal, conhecendo e amando a guerrilheira Ci e enfrentando o vil\u00e3o milion\u00e1rio antropof\u00e1gico Venceslau Pietro Pietra.<em><br \/><\/em>Um dos \u00faltimos representantes do Cinema Novo, o filme \u00e9 uma adapta\u00e7\u00e3o do romance Modernista hom\u00f4nimo de M\u00e1rio de Andrade (1893-1945).<em><br \/><\/em><strong>Direction:<\/strong> Joaquim Pedro de Andrade<em><br \/><\/em><strong>Casting:<\/strong> Grande Otelo, Paulo Jos\u00e9, Dina Sfat, Jardel Filho, Milton Gon\u00e7alves, Rodolfo Arena, Joana Fomm<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 14 anos.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:image {\"id\":11292,\"sizeSlug\":\"full\",\"linkDestination\":\"none\"} --><\/p>\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"976\" height=\"549\" class=\"wp-image-11292\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2.jpg 976w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-300x169.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-768x432.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-18x10.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-650x366.jpg 650w\" sizes=\"(max-width: 976px) 100vw, 976px\" \/><\/figure>\n<p><!-- \/wp:image --><!-- wp:paragraph --><\/p>\n<p><em>Grande Otelo (pseud\u00f4nimo art\u00edstico de Sebasti\u00e3o Bernardes de Souza Prata, 1915-1993), numa cena de<\/em> Macuna\u00edma<em>.<\/em><\/p>\n<p><strong>25\/06\/2026 \u2013 16 horas<\/strong><em><strong><br \/>Saint Bernard<\/strong><\/em> (Brasil, 1972, 114\u2019)<em><br \/><\/em>Paulo Hon\u00f3rio, un modeste colporteur, parvient \u00e0 devenir un riche fermier en recourant \u00e0 des m\u00e9thodes violentes. Il acquiert la ferme de S\u00e3o Bernardo et \u00e9pouse Madalena, une institutrice \u00e9clair\u00e9e de la ville. Un conflit \u00e9clate alors lorsque Madalena refuse d&#039;\u00eatre consid\u00e9r\u00e9e comme la propri\u00e9t\u00e9 de Paulo Hon\u00f3rio.<em><br \/><\/em>Filme baseado no romance hom\u00f4nimo de Graciliano Ramos.<em><br \/><\/em><strong>Direction:<\/strong> Leon Hirszman<em><br \/><\/em><strong>Casting:<\/strong> Othon Bastos, Isabel Ribeiro, Rodolfo Arena, Vanda Lacerda, M\u00e1rio Lago, Nildo Parente, Jofre Soares<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 10 anos.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:image {\"id\":11293,\"sizeSlug\":\"full\",\"linkDestination\":\"none\"} --><\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"986\" height=\"590\" class=\"wp-image-11293\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3.jpg 986w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-300x180.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-768x460.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-18x12.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-650x389.jpg 650w\" sizes=\"(max-width: 986px) 100vw, 986px\" \/><\/figure>\n<p><!-- \/wp:image --><!-- wp:paragraph --><\/p>\n<p><em>Othon Bastos, interpretando Paulo Hon\u00f3rio, em <\/em>Saint Bernard<em>.<\/em><\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p><strong>26\/06\/2026 \u2013 16 horas<em><br \/>L&#039;Heure de l&#039;\u00c9toile<\/em><\/strong> (Brasil, 1985, 96\u2019)<em><br \/><\/em>Aos dezenove anos de idade, Macab\u00e9a, uma jovem \u00f3rf\u00e3, s\u00f3 no mundo, vem do Nordeste tentar a vida na cidade de S\u00e3o Paulo. Ent\u00e3o, acontece-lhe diversas perip\u00e9cias, que servem para mostrar um melodrama social.<em><br \/><\/em><em>L&#039;Heure de l&#039;\u00c9toile<\/em> \u00e9 uma bem-sucedidas adapta\u00e7\u00e3o do romance hom\u00f4nimo de Clarice Lispector (nascida Chaya Pinkhasivna Lispector, 1920-1977).<em><br \/><\/em><strong>Direction:<\/strong> Suzana Amaral<em><br \/><\/em><strong>Casting:<\/strong> Marc\u00e9lia Cartaxo, Jos\u00e9 Dumont, Tamara Taxman, Fernanda Montenegro, Denoy de Oliveira, Lizete Negreiros, Umberto Magnani, Claudia Resende, Maria do Carmo Soares<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 12 anos.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:image {\"id\":11294,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} --><\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" class=\"wp-image-11294\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-1024x640.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-1024x640.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-300x187.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-768x480.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-18x12.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-650x406.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4.jpg 1194w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<p><!-- \/wp:image --><!-- wp:paragraph --><\/p>\n<p><em>Jos\u00e9 Dumont e Marc\u00e9lia Cartaxo, numa cena de<\/em> L&#039;Heure de l&#039;\u00c9toile<em>.<\/em><\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 29\/06\/2026 A\u00a0 03\/07\/2026<\/strong><\/p>\n<p><strong>29\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>T<\/em><\/strong><strong><em>Th\u00e9orie du m\u00e9daillon<\/em><\/strong>\u00a0(Brasil, 2009, 23\u2032)<em><br \/><\/em>Le p\u00e8re et le fils discutent apr\u00e8s un d\u00eener d&#039;anniversaire pour le fils, qui f\u00eate ses vingt et un ans.<em><br \/><\/em>Le film est bas\u00e9 sur la nouvelle &quot;Teoria do Medalh\u00e3o&quot; (1881), de Machado de Assis (1839-1908).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Mario Vieira da Silva<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Ney Leontsinis, Pablo Barbosa e Edilene Mello<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>30\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>O<\/em><\/strong><strong><em>\u00a0Affaire judiciaire<\/em><\/strong>\u00a0(Brasil, 2009, 23\u2032)<em><br \/><\/em>Dami\u00e3o doit convaincre Dona Rita de dissuader son p\u00e8re de l&#039;id\u00e9e de le faire pr\u00eatre.<em><br \/><\/em>Le film est bas\u00e9 sur la nouvelle du m\u00eame nom de Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Liloye Boubli<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Juliana Terra, Roberto Monzo, Luis Fernando Brunogeni, Daniele Janu\u00e1rio<em><br \/><\/em><strong>Participa\u00e7\u00e3o Especial:<\/strong>\u00a0Nat\u00e1lia Corr\u00eaa Nami<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>1\u00ba\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>U<\/em><\/strong><strong><em>La visite d&#039;Alcibiade<\/em><\/strong>\u00a0(Brasil, 2009, 23\u2032)<em><br \/><\/em>Joaquim Soares re\u00e7oit la visite inhabituelle d&#039;un h\u00e9ros olympique grec.<em><br \/><\/em>Le film est une adaptation libre de la nouvelle \u00e9ponyme de Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Oct\u00e1vio Bezerra<em><br \/><\/em><strong>Participa\u00e7\u00e3o Especial:<\/strong>\u00a0Tonico Pereira<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>02\/07\/2025 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>E<\/em><\/strong><strong><em>entre Santos<\/em><\/strong>\u00a0(Brasil, 2009, 23\u2032)<em><br \/><\/em>Sous le clair de lune qui illumine l&#039;\u00e9glise, un pr\u00eatre est t\u00e9moin d&#039;\u00e9v\u00e9nements \u00e9tonnants.<em><br \/><\/em>Le film est une adaptation de la nouvelle \u00e9ponyme de Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Helena Lustosa<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Juliana Terra, Elder Cardozo, Luis Bruno Rezende, Paulo Lamego, Roberto Lopes, Pablo Henrique, Rodrigo Hallvys, Alvaro Machado, Nat\u00e1lia Corr\u00eaa Nami<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>03\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>Quelques armes<\/em><\/strong>\u00a0(Brasil, 2009, 23\u2032)<em><br \/><\/em>In\u00e1cio, un gar\u00e7on de quinze ans, est attir\u00e9 par les bras ind\u00e9cemment d\u00e9nud\u00e9s de Dona Severina, mari\u00e9e \u00e0 un homme brutal.<em><br \/><\/em>Le film est bas\u00e9 sur la nouvelle du m\u00eame nom de Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Jom Tob Azulay<em><br \/><\/em><strong>Casting:<\/strong>\u00a0\u00cdtala Mattos, Lucas Sant\u2019Anna, Ney Leontsinis e Geni Alexandrine<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 06\/07\/2026 A 10\/07\/2026<\/strong><\/p>\n<p><strong>06\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>O<\/em><\/strong><strong><em>\u00a0Infirmi\u00e8re<\/em><\/strong>\u00a0(Brasil, 1999, 23\u2032)<em><br \/><\/em>O enfermeiro Proc\u00f3pio Valongo deixa o Rio de Janeiro, para ir cuidar de um velho rico e doente que mora numa cidade do interior. O velho tem um comportamento agressivo e intolerante. O enfermeiro resiste a xingamentos e bengaladas, at\u00e9 que um dia\u2026<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Mauro Farias<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Matheus Nachtergale, Paulo Autran, Giuseppe Orist\u00e2nee<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>06\/07\/2026 \u2013 19h30<\/strong><\/p>\n<p><em><strong>Ferr\u00e9z, Literatura e Resist\u00eancia\u00a0<\/strong><\/em>(Brasil, 2009, 57\u2019)<strong><em><br \/>F<\/em><\/strong><strong><em>err\u00e9z, Literatura e Resist\u00eancia<\/em><\/strong>\u00a0\u00e9 um curta-metragem que explora a obra e as ideias do escritor,\u00a0<em>rappeur<\/em>, cantor e empreendedor Ferr\u00e9z (nome art\u00edstico de Reginaldo Ferreira da Silva), morador do Cap\u00e3o Redondo, um distrito da cidade de S\u00e3o Paulo.<em><br \/><\/em>O filme aborda o ativismo de Ferr\u00e9z e o movimento de literatura marginal, que espalha a cultura pelas periferias brasileiras.<em><br \/><\/em><strong>Direction:<\/strong> Ferr\u00e9z<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12229\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/07\/2-1024x718.jpg\" sizes=\"(max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/07\/2-1024x718.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/07\/2-300x210.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/07\/2-768x539.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/07\/2-18x12.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/07\/2-650x456.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/07\/2.jpg 1165w\" alt=\"\" width=\"1024\" height=\"718\" \/><\/figure>\n<p><strong>07\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>A<\/em><\/strong><strong><em>\u00a0John Guimar\u00e3es Rosa<\/em><\/strong>\u00a0(Brasil, 1968, 35\u2032)<em><br \/><\/em>Images de l&#039;arri\u00e8re-pays du Minas Gerais (types humains, aspects g\u00e9ographiques, t\u00e2ches m\u00e9nag\u00e8res) et extraits narr\u00e9s du roman.\u00a0<em>Grande Sert\u00e3o: Veredas<\/em>\u00a0(1956), de l&#039;\u00e9crivain du Minas Gerais Jo\u00e3o Guimar\u00e3es Rosa (1908-1967).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Roberto Santos &amp; Marcelo Tassara<em><br \/><\/em><strong>Narra\u00e7\u00e3o:<\/strong>\u00a0Humberto Mar\u00e7al<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<em><br \/><strong>F<\/strong><\/em><strong><em>ran\u00e7oise<\/em><\/strong>\u00a0(Brasil, 2001, 22\u2032)<em><br \/><\/em>Deux personnes solitaires, une jeune fille nomm\u00e9e Fran\u00e7oise et un voyageur, se rencontrent dans une gare routi\u00e8re.<em><br \/><\/em>Adaptation de la nouvelle \u00e9ponyme de Luiz Vilela.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Rafael Conde<em><br \/><\/em><strong>Casting:<\/strong>\u00a0D\u00e9bora Falabella, Fernando Ernesto e Rog\u00e9rio Falabella<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 10 anos.<\/p>\n<p><strong>08\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>I<\/em><\/strong><strong><em>Inventaire de la Rapine<\/em><\/strong>\u00a0(Brasil, 1985, 30\u2032)<em><br \/><\/em>Utilisant des textes, des r\u00e9cits et de la musique du po\u00e8te, essayiste et traducteur Cl\u00e1udio Willer (1940-2023), le film enregistre des impressions du Br\u00e9sil dans la premi\u00e8re moiti\u00e9 des ann\u00e9es 1980 et peut \u00eatre d\u00e9fini comme un drame intimiste et patriotique.<em><br \/><\/em>Les segments autonomes sont coll\u00e9s ensemble, toujours avec une certaine dissonance entre le son et l&#039;image.<em><br \/><\/em>Parmi les dialogues puissants du film, Aloysio Raulino d\u00e9clare :\u00a0<em>\u201c Certains morts sont trop g\u00eanants. Des morts dont personne ne veut entendre parler, que personne ne veut voir ! \u201d<br \/><\/em><strong>Direction:<\/strong>\u00a0Aloysio Raulino<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Tamy Marrachine, Jos\u00e9 Gomes, Tavinho, Mineiro, Piriri, Lia<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 14 anos.<\/p>\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-9419\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-1024x694.jpg\" sizes=\"(max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-1024x694.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-300x203.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-768x520.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-650x440.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1.jpg 1423w\" alt=\"\" width=\"1024\" height=\"694\" \/><\/figure>\n<p><em>Une sc\u00e8ne de<\/em>\u00a0Inventaire du butin<em>.<\/em><\/p>\n<p><strong>09\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>E<\/em><\/strong><strong><em>Pagu, Eh !<\/em><\/strong>\u00a0(Brasil, 1982, 15\u2032)<em><br \/><\/em>Le film a \u00e9t\u00e9 r\u00e9alis\u00e9 \u00e0 une \u00e9poque o\u00f9 la m\u00e9moire de l&#039;\u00e9crivaine, journaliste et militante politique Patr\u00edcia Galv\u00e3o (1910-1962), connue sous le nom de Pagu, \u00e9tait red\u00e9couverte ; elle \u00e9tait rest\u00e9e, jusque-l\u00e0, dans une relative obscurit\u00e9.<em><br \/>H\u00e9 Pagu, h\u00e9 !<\/em>\u00a0Il retrace le parcours de Pagu, offrant un portrait g\u00e9n\u00e9reux de l&#039;auteur de\u00a0<em>parc industriel<\/em>\u00a0(Publi\u00e9 en 1933, Pagu l&#039;a sign\u00e9 du pseudonyme Mara Lobo), consid\u00e9r\u00e9 comme le premier roman prol\u00e9tarien br\u00e9silien.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Ivo Branco<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Edith Siqueira, Clodomiro Bacellar, Aldo Bueno e Julio Calasso<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 14 anos<em><br \/><\/em><strong><em>Je m&#039;appelle Paulo Leminski<\/em><\/strong>\u00a0(Brasil, 2004, 5\u2032)<em><br \/><\/em>Un film qu&#039;on pourrait appeler\u00a0<em>\u201c&quot;exp\u00e9rimental&quot;\u201d<\/em>\u00a0et qui conserve, dans sa forme, l&#039;irr\u00e9v\u00e9rence du po\u00e8te et \u00e9crivain du Paran\u00e1, Paulo Leminski (1944-1989), et son non-conformisme aux normes \u00e9tablies.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Cezar Migliorie<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<\/p>\n<p><strong>10\/07\/2025 \u2013 16 horas<\/strong><\/p>\n<p><em><strong>A<\/strong><\/em><strong><em>Ils ont vol\u00e9 la grammaire<\/em><\/strong>\u00a0(Brasil, 1984, 12\u2032)<em><br \/><\/em>Le film pr\u00e9sente les po\u00e8tes Francisco Alvim, Paulo Leminski (1944-1989), Waly Salom\u00e3o (1943-2003) et Chacal (pseudonyme de Ricardo de Carvalho Duarte), ainsi qu&#039;un hommage \u00e0 la po\u00e8te Ana Cristina C\u00e9sar (1952-1983).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Ana Maria Magalh\u00e3es<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Perfeito Fortuna, Lu\u00eds Fernando Guimar\u00e3es e Jorge Barr\u00e3o<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<em><br \/><\/em><strong><em>Patativa<\/em><\/strong>\u00a0(Brasil, 2001, 10\u2032)<em><br \/><\/em>Aspects de la vie et de l&#039;\u0153uvre de la po\u00e9tesse Patativa do Assar\u00e9 (1909-2002), l&#039;un des plus grands noms de la culture populaire du Nord-Est br\u00e9silien.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0\u00cdtalo Maia<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 13\/07\/2026 A\u00a0 17\/07\/2026<\/strong><\/p>\n<p><strong>13\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>G<\/em><\/strong><strong><em>Eraldo volant<\/em><\/strong>\u00a0(Brasil, 1994, 11\u2032)<em><br \/><\/em>Un gar\u00e7on issu d&#039;une favela, dot\u00e9 d&#039;un don particulier, finit par se retrouver m\u00eal\u00e9 \u00e0 des trafiquants de drogue.<em><br \/><\/em>Bas\u00e9 sur les \u0153uvres du dessinateur de bandes dessin\u00e9es am\u00e9ricain Will Eisner (1917-2005).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Bruno Vianna.<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Robson dos Santos, Bruno Garcia, Renato Pinheiro, Maria Gladys, Helena Ignee<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 14 anos.<strong><em><br \/>C<\/em><\/strong><strong><em>Bonheur terrestre<\/em><\/strong>\u00a0(Brasil, 1998, 14\u2032)<em><br \/><\/em>L&#039;enfance de l&#039;\u00e9crivaine Clarice Lispector (1920-1977), mettant en lumi\u00e8re son amour pour les animaux et sa passion pour les livres.<em><br \/><\/em>Le film rassemble quelques r\u00e9cits\/chroniques de son enfance dans la ville de Recife, dans les ann\u00e9es 1920.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Marcelo Gomes &amp; Beto Normal<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Luisa Phebo, Nathalia Corintha, Germano Haiut, Sarah Hazin e Isabel Brito<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<\/p>\n<p><strong>14\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>V<\/em><\/strong><em><strong>Voyages \u00e0 sec<\/strong><\/em>\u00a0(Brasil, 1963, 103\u2019)<em><br \/><\/em>O filme mostra a jornada de uma fam\u00edlia de retirantes \u2013 Fabiano, Sinh\u00e1 Vit\u00f3ria, os dois filhos e a cachorra Baleia \u2013 que foge da seca no sert\u00e3o nordestino em busca de sobreviv\u00eancia.<em><br \/><\/em>O filme, integrante da primeira fase do Cinema Novo, \u00e9 baseado no romance hom\u00f4nimo de Graciliano Ramos (1892-1953).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Nelson Pereira dos Santos<em><br \/><\/em><strong>Casting:<\/strong>\u00a0\u00c1tila I\u00f3rio, Maria Ribeiro, Jofre Soares, Genivaldo Lima, Gilvan Lima, Orlando Macedo, Pedro Santos, Maria Rosa, a cadela Baleia<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 12 anos.<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11291\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1024x567.jpg\" sizes=\"(max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1024x567.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-300x166.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-768x425.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1536x851.jpg 1536w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-2048x1134.jpg 2048w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-18x10.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-650x360.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1320x731.jpg 1320w\" alt=\"\" width=\"1024\" height=\"567\" \/><\/figure>\n<p><em>Une sc\u00e8ne de<\/em>\u00a0Vidas Secas<em>, mostrando \u00c1tila I\u00f3rio, Maria Ribeiro e a cadela Baleia.<\/em><\/p>\n<p><strong>15\/07\/ 2026 \u2013 16 horas<em><br \/>Macuna\u00edma<\/em><\/strong>\u00a0(Brasil, 1969, 105\u2019)<em><br \/>Macuna\u00edma<\/em>\u00a0narra a hist\u00f3ria de um anti-her\u00f3i, ou melhor,\u00a0<em>\u201cum her\u00f3i sem nenhum car\u00e1ter\u201d<\/em>, nascido no fundo da mata virgem. De preto ele vira branco, ao passar por uma fonte milagrosa, e troca a mata pela cidade, onde vive incr\u00edveis aventuras, acompanhado de seus irm\u00e3os. Na cidade, nosso\u00a0<em>\u201cher\u00f3i\u201d<\/em>, segue um caminho surreal, conhecendo e amando a guerrilheira Ci e enfrentando o vil\u00e3o milion\u00e1rio antropof\u00e1gico Venceslau Pietro Pietra.<em><br \/><\/em>Um dos \u00faltimos representantes do Cinema Novo, o filme \u00e9 uma adapta\u00e7\u00e3o do romance Modernista hom\u00f4nimo de M\u00e1rio de Andrade (1893-1945).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Joaquim Pedro de Andrade<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Grande Otelo, Paulo Jos\u00e9, Dina Sfat, Jardel Filho, Milton Gon\u00e7alves, Rodolfo Arena, Joana Fomm<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 14 anos.<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11292\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2.jpg\" sizes=\"(max-width: 976px) 100vw, 976px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2.jpg 976w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-300x169.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-768x432.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-18x10.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-650x366.jpg 650w\" alt=\"\" width=\"976\" height=\"549\" \/><\/figure>\n<p><em>Grande Otelo (pseud\u00f4nimo art\u00edstico de Sebasti\u00e3o Bernardes de Souza Prata, 1915-1993), numa cena de<\/em>\u00a0Macuna\u00edma<em>.<\/em><\/p>\n<p><strong>16\/07\/2026 \u2013 16 horas<\/strong><em><strong><br \/>Saint Bernard<\/strong><\/em>\u00a0(Brasil, 1972, 114\u2019)<em><br \/><\/em>Paulo Hon\u00f3rio, un modeste colporteur, parvient \u00e0 devenir un riche fermier en recourant \u00e0 des m\u00e9thodes violentes. Il acquiert la ferme de S\u00e3o Bernardo et \u00e9pouse Madalena, une institutrice \u00e9clair\u00e9e de la ville. Un conflit \u00e9clate alors lorsque Madalena refuse d&#039;\u00eatre consid\u00e9r\u00e9e comme la propri\u00e9t\u00e9 de Paulo Hon\u00f3rio.<em><br \/><\/em>Filme baseado no romance hom\u00f4nimo de Graciliano Ramos.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Leon Hirszman<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Othon Bastos, Isabel Ribeiro, Rodolfo Arena, Vanda Lacerda, M\u00e1rio Lago, Nildo Parente, Jofre Soares<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 10 anos.<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11293\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3.jpg\" sizes=\"(max-width: 986px) 100vw, 986px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3.jpg 986w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-300x180.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-768x460.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-18x12.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-650x389.jpg 650w\" alt=\"\" width=\"986\" height=\"590\" \/><\/figure>\n<p><em>Othon Bastos, interpretando Paulo Hon\u00f3rio, em\u00a0<\/em>Saint Bernard<em>.<\/em><\/p>\n<p><strong>17\/07\/2026 \u2013 16 horas<em><br \/>L&#039;Heure de l&#039;\u00c9toile<\/em><\/strong>\u00a0(Brasil, 1985, 96\u2019)<em><br \/><\/em>Aos dezenove anos de idade, Macab\u00e9a, uma jovem \u00f3rf\u00e3, s\u00f3 no mundo, vem do Nordeste tentar a vida na cidade de S\u00e3o Paulo. Ent\u00e3o, acontece-lhe diversas perip\u00e9cias, que servem para mostrar um melodrama social.<em><br \/><\/em><em>L&#039;Heure de l&#039;\u00c9toile<\/em>\u00a0\u00e9 uma bem-sucedidas adapta\u00e7\u00e3o do romance hom\u00f4nimo de Clarice Lispector (nascida Chaya Pinkhasivna Lispector, 1920-1977).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Suzana Amaral<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Marc\u00e9lia Cartaxo, Jos\u00e9 Dumont, Tamara Taxman, Fernanda Montenegro, Denoy de Oliveira, Lizete Negreiros, Umberto Magnani, Claudia Resende, Maria do Carmo Soares<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 12 anos.<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11294\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-1024x640.jpg\" sizes=\"(max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-1024x640.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-300x187.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-768x480.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-18x12.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-650x406.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4.jpg 1194w\" alt=\"\" width=\"1024\" height=\"640\" \/><\/figure>\n<p><em>Jos\u00e9 Dumont e Marc\u00e9lia Cartaxo, numa cena de<\/em>\u00a0L&#039;Heure de l&#039;\u00c9toile<em>.\u00a0<\/em><\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 20\/07\/2026 A\u00a0 24\/07\/2026<\/strong><\/p>\n<p><strong>20\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>T<\/em><\/strong><strong><em>Th\u00e9orie du m\u00e9daillon<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>Le p\u00e8re et le fils discutent apr\u00e8s un d\u00eener d&#039;anniversaire pour le fils, qui f\u00eate ses vingt et un ans.<em><br \/><\/em>Le film est bas\u00e9 sur la nouvelle &quot;Teoria do Medalh\u00e3o&quot; (1881), de Machado de Assis (1839-1908).<em><br \/><\/em><strong>Direction:<\/strong> Mario Vieira da Silva<em><br \/><\/em><strong>Casting:<\/strong> Ney Leontsinis, Pablo Barbosa e Edilene Mello<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>21\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>O<\/em><\/strong><strong><em>\u00a0Affaire judiciaire<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>Dami\u00e3o doit convaincre Dona Rita de dissuader son p\u00e8re de l&#039;id\u00e9e de le faire pr\u00eatre.<em><br \/><\/em>Le film est bas\u00e9 sur la nouvelle du m\u00eame nom de Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong> Liloye Boubli<em><br \/><\/em><strong>Casting:<\/strong> Juliana Terra, Roberto Monzo, Luis Fernando Brunogeni, Daniele Janu\u00e1rio<em><br \/><\/em><strong>Participa\u00e7\u00e3o Especial:<\/strong> Nat\u00e1lia Corr\u00eaa Nami<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>22\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>U<\/em><\/strong><strong><em>La visite d&#039;Alcibiade<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>Joaquim Soares re\u00e7oit la visite inhabituelle d&#039;un h\u00e9ros olympique grec.<em><br \/><\/em>Le film est une adaptation libre de la nouvelle \u00e9ponyme de Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong> Oct\u00e1vio Bezerra<em><br \/><\/em><strong>Participa\u00e7\u00e3o Especial:<\/strong> Tonico Pereira<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>23\/07\/2025 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>E<\/em><\/strong><strong><em>entre Santos<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>Sous le clair de lune qui illumine l&#039;\u00e9glise, un pr\u00eatre est t\u00e9moin d&#039;\u00e9v\u00e9nements \u00e9tonnants.<em><br \/><\/em>Le film est une adaptation de la nouvelle \u00e9ponyme de Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong> Helena Lustosa<em><br \/><\/em><strong>Casting:<\/strong> Juliana Terra, Elder Cardozo, Luis Bruno Rezende, Paulo Lamego, Roberto Lopes, Pablo Henrique, Rodrigo Hallvys, Alvaro Machado, Nat\u00e1lia Corr\u00eaa Nami<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>24\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>Quelques armes<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>In\u00e1cio, un gar\u00e7on de quinze ans, est attir\u00e9 par les bras ind\u00e9cemment d\u00e9nud\u00e9s de Dona Severina, mari\u00e9e \u00e0 un homme brutal.<em><br \/><\/em>Le film est bas\u00e9 sur la nouvelle du m\u00eame nom de Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong> Jom Tob Azulay<em><br \/><\/em><strong>Casting:<\/strong> \u00cdtala Mattos, Lucas Sant\u2019Anna, Ney Leontsinis e Geni Alexandrine<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 27\/07\/2026 A\u00a0 31\/07\/2026<\/strong><\/p>\n<p><strong>27\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>G<\/em><\/strong><strong><em>Eraldo volant<\/em><\/strong>\u00a0(Brasil, 1994, 11\u2032)<em><br \/><\/em>Un gar\u00e7on issu d&#039;une favela, dot\u00e9 d&#039;un don particulier, finit par se retrouver m\u00eal\u00e9 \u00e0 des trafiquants de drogue.<em><br \/><\/em>Bas\u00e9 sur les \u0153uvres du dessinateur de bandes dessin\u00e9es am\u00e9ricain Will Eisner (1917-2005).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Bruno Vianna.<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Robson dos Santos, Bruno Garcia, Renato Pinheiro, Maria Gladys, Helena Ignee<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 14 anos.<strong><em><br \/>C<\/em><\/strong><strong><em>Bonheur terrestre<\/em><\/strong>\u00a0(Brasil, 1998, 14\u2032)<em><br \/><\/em>L&#039;enfance de l&#039;\u00e9crivaine Clarice Lispector (1920-1977), mettant en lumi\u00e8re son amour pour les animaux et sa passion pour les livres.<em><br \/><\/em>Le film rassemble quelques r\u00e9cits\/chroniques de son enfance dans la ville de Recife, dans les ann\u00e9es 1920.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Marcelo Gomes &amp; Beto Normal<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Luisa Phebo, Nathalia Corintha, Germano Haiut, Sarah Hazin e Isabel Brito<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<\/p>\n<p><em>\u00a0<\/em><strong>28 de julho de 2026 \u2013 16 horas<\/strong><em><strong><br \/>Saint Bernard<\/strong><\/em> (1972, 114\u2019)<em><br \/><\/em>Paulo Hon\u00f3rio, un modeste colporteur, parvient \u00e0 devenir un riche fermier en recourant \u00e0 des m\u00e9thodes violentes. Il acquiert la ferme de S\u00e3o Bernardo et \u00e9pouse Madalena, une institutrice \u00e9clair\u00e9e de la ville. Un conflit \u00e9clate alors lorsque Madalena refuse d&#039;\u00eatre consid\u00e9r\u00e9e comme la propri\u00e9t\u00e9 de Paulo Hon\u00f3rio.<em><br \/><\/em>Filme baseado no romance hom\u00f4nimo de Graciliano Ramos.<em><br \/><\/em><strong>Direction:<\/strong> Leon Hirszman<em><br \/><\/em><strong>Casting:<\/strong> Othon Bastos, Isabel Ribeiro, Rodolfo Arena, Vanda Lacerda, M\u00e1rio Lago, Nildo Parente, Jofre Soarea<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 10 anos.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p><!-- \/wp:paragraph --><!-- wp:image {\"id\":11293,\"sizeSlug\":\"full\",\"linkDestination\":\"none\"} --><\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"986\" height=\"590\" class=\"wp-image-11293\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3.jpg 986w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-300x180.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-768x460.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-18x12.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-650x389.jpg 650w\" sizes=\"(max-width: 986px) 100vw, 986px\" \/><\/figure>\n<p><!-- \/wp:image --><!-- wp:paragraph --><\/p>\n<p><em>Othon Bastos, interpretando Paulo Hon\u00f3rio, em <\/em>S\u00e3o Bernardo.<\/p>\n<p><strong>29\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>V<\/em><\/strong><em><strong>Voyages \u00e0 sec<\/strong><\/em>\u00a0(Brasil, 1963, 103\u2019)<em><br \/><\/em>O filme mostra a jornada de uma fam\u00edlia de retirantes \u2013 Fabiano, Sinh\u00e1 Vit\u00f3ria, os dois filhos e a cachorra Baleia \u2013 que foge da seca no sert\u00e3o nordestino em busca de sobreviv\u00eancia.<em><br \/><\/em>O filme, integrante da primeira fase do Cinema Novo, \u00e9 baseado no romance hom\u00f4nimo de Graciliano Ramos (1892-1953).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Nelson Pereira dos Santos<em><br \/><\/em><strong>Casting:<\/strong>\u00a0\u00c1tila I\u00f3rio, Maria Ribeiro, Jofre Soares, Genivaldo Lima, Gilvan Lima, Orlando Macedo, Pedro Santos, Maria Rosa, a cadela Baleia<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 12 anos.<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11291\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1024x567.jpg\" sizes=\"(max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1024x567.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-300x166.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-768x425.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1536x851.jpg 1536w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-2048x1134.jpg 2048w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-18x10.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-650x360.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1320x731.jpg 1320w\" alt=\"\" width=\"1024\" height=\"567\" \/><\/figure>\n<p><em>Une sc\u00e8ne de<\/em>\u00a0Vidas Secas<em>, mostrando \u00c1tila I\u00f3rio, Maria Ribeiro e a cadela Baleia.<\/em><\/p>\n<p><strong>30\/07\/ 2026 \u2013 16 horas<em><br \/>Macuna\u00edma<\/em><\/strong>\u00a0(Brasil, 1969, 105\u2019)<em><br \/>Macuna\u00edma<\/em>\u00a0narra a hist\u00f3ria de um anti-her\u00f3i, ou melhor,\u00a0<em>\u201cum her\u00f3i sem nenhum car\u00e1ter\u201d<\/em>, nascido no fundo da mata virgem. De preto ele vira branco, ao passar por uma fonte milagrosa, e troca a mata pela cidade, onde vive incr\u00edveis aventuras, acompanhado de seus irm\u00e3os. Na cidade, nosso\u00a0<em>\u201cher\u00f3i\u201d<\/em>, segue um caminho surreal, conhecendo e amando a guerrilheira Ci e enfrentando o vil\u00e3o milion\u00e1rio antropof\u00e1gico Venceslau Pietro Pietra.<em><br \/><\/em>Um dos \u00faltimos representantes do Cinema Novo, o filme \u00e9 uma adapta\u00e7\u00e3o do romance Modernista hom\u00f4nimo de M\u00e1rio de Andrade (1893-1945).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Joaquim Pedro de Andrade<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Grande Otelo, Paulo Jos\u00e9, Dina Sfat, Jardel Filho, Milton Gon\u00e7alves, Rodolfo Arena, Joana Fomm<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 14 anos.<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11292\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2.jpg\" sizes=\"(max-width: 976px) 100vw, 976px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2.jpg 976w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-300x169.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-768x432.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-18x10.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-650x366.jpg 650w\" alt=\"\" width=\"976\" height=\"549\" \/><\/figure>\n<p><em>Grande Otelo (pseud\u00f4nimo art\u00edstico de Sebasti\u00e3o Bernardes de Souza Prata, 1915-1993), numa cena de<\/em>\u00a0Macuna\u00edma<em>.<\/em><\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 03\/08\/2026 A\u00a0 07\/08\/2026<\/strong><\/p>\n<p><strong>03\/08\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>E<\/em><\/strong><strong><em>Pagu, Eh !<\/em><\/strong>\u00a0(Brasil, 1982, 15\u2032)<em><br \/><\/em>Le film a \u00e9t\u00e9 r\u00e9alis\u00e9 \u00e0 une \u00e9poque o\u00f9 la m\u00e9moire de l&#039;\u00e9crivaine, journaliste et militante politique Patr\u00edcia Galv\u00e3o (1910-1962), connue sous le nom de Pagu, \u00e9tait red\u00e9couverte ; elle \u00e9tait rest\u00e9e, jusque-l\u00e0, dans une relative obscurit\u00e9.<em><br \/>H\u00e9 Pagu, h\u00e9 !<\/em>\u00a0Il retrace le parcours de Pagu, offrant un portrait g\u00e9n\u00e9reux de l&#039;auteur de\u00a0<em>parc industriel<\/em>\u00a0(Publi\u00e9 en 1933, Pagu l&#039;a sign\u00e9 du pseudonyme Mara Lobo), consid\u00e9r\u00e9 comme le premier roman prol\u00e9tarien br\u00e9silien.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Ivo Branco<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Edith Siqueira, Clodomiro Bacellar, Aldo Bueno e Julio Calasso<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 14 anos<em><br \/><\/em><strong><em>Je m&#039;appelle Paulo Leminski<\/em><\/strong>\u00a0(Brasil, 2004, 5\u2032)<em><br \/><\/em>Un film qu&#039;on pourrait appeler\u00a0<em>\u201c&quot;exp\u00e9rimental&quot;\u201d<\/em>\u00a0et qui conserve, dans sa forme, l&#039;irr\u00e9v\u00e9rence du po\u00e8te et \u00e9crivain du Paran\u00e1, Paulo Leminski (1944-1989), et son non-conformisme aux normes \u00e9tablies.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Cezar Migliorie<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p><strong>04\/08\/2026 \u2013 19h30<em><br \/>L&#039;Heure de l&#039;\u00c9toile<\/em><\/strong> (1985, 96\u2019)<em><br \/><\/em>Aos dezenove anos de idade, Macab\u00e9a, uma jovem \u00f3rf\u00e3, s\u00f3 no mundo, vem do Nordeste tentar a vida na cidade de S\u00e3o Paulo. Ent\u00e3o, acontece-lhe diversas perip\u00e9cias, que servem para mostrar um melodrama social.<em><br \/><\/em><em>L&#039;Heure de l&#039;\u00c9toile<\/em> \u00e9 uma bem-sucedidas adapta\u00e7\u00e3o do romance hom\u00f4nimo de Clarice Lispector (nascida Chaya Pinkhasivna Lispector, 1920-1977).<em><br \/><\/em><strong>Direction:<\/strong> Suzana Amaral<em><br \/><\/em><strong>Casting:<\/strong> Marc\u00e9lia Cartaxo, Jos\u00e9 Dumont, Tamara Taxman, Fernanda Montenegro, Denoy de Oliveira, Lizete Negreiros, Umberto Magnani, Claudia Resende, Maria do Carmo Soares<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:image {\"id\":11294,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} --><\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" class=\"wp-image-11294\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-1024x640.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-1024x640.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-300x187.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-768x480.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-18x12.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-650x406.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4.jpg 1194w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<p><!-- \/wp:image --><!-- wp:paragraph --><\/p>\n<p><em>Jos\u00e9 Dumont e Marc\u00e9lia Cartaxo, numa cena de<\/em> L&#039;Heure de l&#039;\u00c9toile<em>.\u00a0<\/em><\/p>\n<p><strong>05\/08\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>O<\/em><\/strong><strong><em>\u00a0Infirmi\u00e8re<\/em><\/strong>\u00a0(Brasil, 1999, 23\u2032)<em><br \/><\/em>O enfermeiro Proc\u00f3pio Valongo deixa o Rio de Janeiro, para ir cuidar de um velho rico e doente que mora numa cidade do interior. O velho tem um comportamento agressivo e intolerante. O enfermeiro resiste a xingamentos e bengaladas, at\u00e9 que um dia\u2026<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Mauro Farias<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Matheus Nachtergale, Paulo Autran, Giuseppe Orist\u00e2nee<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>06\/08\/2025 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>E<\/em><\/strong><strong><em>entre Santos<\/em><\/strong>\u00a0(Brasil, 2009, 23\u2032)<em><br \/><\/em>Sous le clair de lune qui illumine l&#039;\u00e9glise, un pr\u00eatre est t\u00e9moin d&#039;\u00e9v\u00e9nements \u00e9tonnants.<em><br \/><\/em>Le film est une adaptation de la nouvelle \u00e9ponyme de Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Helena Lustosa<em><br \/><\/em><strong>Casting:<\/strong>\u00a0Juliana Terra, Elder Cardozo, Luis Bruno Rezende, Paulo Lamego, Roberto Lopes, Pablo Henrique, Rodrigo Hallvys, Alvaro Machado, Nat\u00e1lia Corr\u00eaa Nami<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>07\/08\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>U<\/em><\/strong><strong><em>La visite d&#039;Alcibiade<\/em><\/strong>\u00a0(Brasil, 2009, 23\u2032)<em><br \/><\/em>Joaquim Soares re\u00e7oit la visite inhabituelle d&#039;un h\u00e9ros olympique grec.<em><br \/><\/em>Le film est une adaptation libre de la nouvelle \u00e9ponyme de Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Oct\u00e1vio Bezerra<em><br \/><\/em><strong>Participa\u00e7\u00e3o Especial:<\/strong>\u00a0Tonico Pereira<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><!-- \/wp:paragraph --><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>TERMO DE FOMENTO N\u00ba 304\/2026PROCESSO SCEC-PRC-2026-00159-DMDemanda 100870UGE\u00a0120125 O projeto CINEMA &amp; LITERATURA [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":11296,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60,30],"tags":[],"class_list":["post-11289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinematografo","category-projetos"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>CINEMA &amp; LITERATURA - Cine Clube Cauim<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cauim.org\/fr\/cinema-literatura-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CINEMA &amp; LITERATURA - Cine Clube Cauim\" \/>\n<meta property=\"og:description\" content=\"TERMO DE FOMENTO N\u00ba 304\/2026PROCESSO SCEC-PRC-2026-00159-DMDemanda 100870UGE\u00a0120125 O projeto CINEMA &amp; 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