{"id":9457,"date":"2025-09-25T13:46:42","date_gmt":"2025-09-25T16:46:42","guid":{"rendered":"https:\/\/cauim.org\/?p=9457"},"modified":"2026-01-27T15:25:07","modified_gmt":"2026-01-27T18:25:07","slug":"portraits-of-brazil","status":"publish","type":"post","link":"https:\/\/cauim.org\/en\/portraits-of-brazil\/","title":{"rendered":"PORTRAITS OF BRAZIL"},"content":{"rendered":"
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

FUNDING AGREEMENT No. 177\/2025
<\/em>P<\/strong>PROCESS SCEC-PRC-2025-00035-DM
<\/em>D<\/strong>ORDER 83981
<\/em>UG<\/strong>E 120101
<\/em>E<\/strong>PARLIAMENTARY AMENDMENT No. 2025.257.64130<\/strong><\/p>\n

<\/p>\n

On June 19, 1898, the passenger ship Br\u00e9sil was returning from a trip to Europe.
<\/em>As the ship entered Guanabara Bay, one of its passengers, Affonso Segretto (1875-1919), set up his \u201c"view-taking machine"\u201d<\/em>, acquired in European lands, and filmed fortresses and boats anchored along that body of water.
<\/em>Thus, Brazilian cinema was born.
<\/em>The cinema was then just over two years old.
<\/em>After this brief introduction, we repeat the words of filmmaker Glauber Rocha (1939-1981): \u201c"Cinema is the dialectical mirror of the world."\u201d<\/em>. And we add: the films shown in the sessions PORTRAITS OF BRAZIL<\/strong> They seek to be viewed from the perspectives of our country, that is, they are dialectical mirrors of Brazil.<\/p>\n

SCHEDULE FOR SEPTEMBER 13, 2025 AND SEPTEMBER 14, 2025<\/strong><\/p>\n

September 13, 2025 at 2 PM
L<\/em><\/strong>Urdinha, The Illusion Seller<\/em><\/strong> (2007)
<\/em><\/strong>Lurdinha, a woman of approximately forty years of age, elegantly dressed, sells lottery tickets in downtown Florian\u00f3polis. While she sells her tickets, she chats with people and gives advice.
<\/em><\/strong>The film is an account of the importance of people who could remain anonymous, but who become a link between the private and collective lives of the urban population.
<\/em><\/strong>Directed by: Cesar Cavalcanti<\/p>\n

September 13, 2025 at 4 PM
L<\/em><\/strong>eila Forever Diniz<\/em><\/strong> (1976)
<\/em><\/strong>Based on excerpts from films in which she participated as a professional actress, testimonials from friends, and Super 8 mm footage from a film about her., Leila Forever Diniz<\/em> reveals candid glimpses into the private life of actress Leila Diniz (1945-1972), who, in addition to being a muse of the Ipanema neighborhood, was a legend for a generation.
<\/em><\/strong>Directed by: Mariza Le\u00e3o & S\u00e9rgio Rezende
<\/em>P<\/em>or Kindness<\/em><\/strong> (2002)
<\/em><\/strong>The film tells the story of Jos\u00e9 Datrino, who one day abandoned his family, job, and friends to go out into the streets of Rio de Janeiro preaching peace and kindness. Jos\u00e9 then became the Prophet of Kindness, who left dozens of messages, painted with a very special graphic design, on the pillars near the Novo Rio Bus Station.
<\/em><\/strong>Directed by: Dado Amaral<\/p>\n

September 14, 2025 at 2 PM
L<\/em><\/strong>Urdinha, The Illusion Seller<\/em><\/strong> (2007)
<\/em><\/strong>Lurdinha, a woman of approximately forty years of age, elegantly dressed, sells lottery tickets in downtown Florian\u00f3polis. While she sells her tickets, she chats with people and gives advice.
<\/em><\/strong>The film is an account of the importance of people who could remain anonymous, but who become a link between the private and collective lives of the urban population.
<\/em><\/strong>Directed by: Cesar Cavalcanti<\/p>\n

September 14, 2025 at 4 PM
L<\/em><\/strong>eila Forever Diniz<\/em><\/strong> (1976)
<\/em><\/strong>Based on excerpts from films in which she participated as a professional actress, testimonials from friends, and Super 8 mm footage from a film about her., Leila Forever Diniz<\/em> reveals candid glimpses into the private life of actress Leila Diniz (1945-1972), who, in addition to being a muse of the Ipanema neighborhood, was a legend for a generation.
<\/em><\/strong>Directed by: Mariza Le\u00e3o & S\u00e9rgio Rezende
<\/em>P<\/em>or Kindness<\/em><\/strong> (2002)
<\/em><\/strong>The film tells the story of Jos\u00e9 Datrino, who one day abandoned his family, job, and friends to go out into the streets of Rio de Janeiro preaching peace and kindness. Jos\u00e9 then became the Prophet of Kindness, who left dozens of messages, painted with a very special graphic design, on the pillars near the Novo Rio Bus Station.
<\/em><\/strong>Directed by: Dado Amaral<\/p>\n

SCHEDULE FOR SEPTEMBER 20, 2025 AND SEPTEMBER 21, 2025<\/strong><\/p>\n

20\/09\/2025 at 2 PM
O<\/em><\/strong> The Greatest Show on Earth<\/em><\/strong> (2005)
<\/em><\/strong>In northern Minas Gerais, a circus is on the brink of collapse.
<\/em><\/strong>Directed by: Marcos Pimentel
The Lens and the Window<\/em><\/strong> (2005)
<\/em><\/strong>A girl receives a video camera for Christmas. From then on, she transforms herself through the camera and the window.,
<\/em><\/strong>Directed by: Marcius Barbieri
<\/em><\/strong>Cast: J\u00e9ssica Ludmila, Wal\u00e9ria Christina Chagas, Walber Vin\u00edcius Chagas, Bruno Henrique Chagas, Adeilton Lima, Andr\u00e9 Amaro, Martha Carvalho, N\u00edvia Helen<\/p>\n

20\/09\/2025 at 4 PM
W<\/em><\/strong>holes<\/em><\/strong> (1991)
<\/em><\/strong>When you split a hole in half, do you get two new holes or two half-holes?
<\/em><\/strong>The film is a portrait<\/em> from the city of S\u00e3o Paulo.
<\/em><\/strong>Directed by: AS Cec\u00edlio Neto
<\/em><\/strong>Cast: Adriano Stuart, L\u00edgia Cortez and Carlos Reichenbach
<\/em>G<\/em>Flying Eraldo<\/em><\/strong> (1994)
<\/em><\/strong>A boy from the favela with a special gift ends up getting involved with drug traffickers.
<\/em><\/strong>Based on the works of American comic book artist Will Eisner (1917-2005).
<\/em><\/strong>Directed by: Bruno Vianna
<\/em><\/strong>Cast: Robson dos Santos, Bruno Garcia, Renato Pinheiro, Maria Gladys, Helena Ignez<\/p>\n

September 21, 2025 at 2 PM
The Greatest Show on Earth<\/em><\/strong> (2005)
<\/em><\/strong>In northern Minas Gerais, a circus is on the brink of collapse.
<\/em><\/strong>Directed by: Marcos Pimentel
The Lens and the Window<\/em><\/strong> (2005)
<\/em><\/strong>A girl receives a video camera for Christmas. From then on, she transforms herself through the camera and the window.
<\/em><\/strong>Directed by: Marcius Barbieri
<\/em><\/strong>Cast: J\u00e9ssica Ludmila, Wal\u00e9ria Christina Chagas, Walber Vin\u00edcius Chagas, Bruno Henrique Chagas, Adeilton Lima, Andr\u00e9 Amaro, Martha Carvalho, N\u00edvia Helen<\/p>\n

September 21, 2025 at 4 PM
<\/em><\/strong>Wholes<\/em><\/strong> (1991)
<\/em><\/strong>When you split a hole in half, do you get two new holes or two half-holes?
<\/em><\/strong>The film is a portrait<\/em> from the city of S\u00e3o Paulo.
<\/em><\/strong>Directed by: AS Cec\u00edlio Neto
<\/em><\/strong>Cast: Adriano Stuart, L\u00edgia Cortez and Carlos Reichenbach
<\/em><\/strong>Flying Gerald<\/em><\/strong> (1994)
<\/em><\/strong>(A boy from the favela with a special gift ends up getting involved with drug traffickers)
<\/em><\/strong>Based on the works of American comic book artist Will Eisner (1917-2005).
<\/em><\/strong>Directed by: Bruno Vianna
<\/em><\/strong>Cast: Robson dos Santos, Bruno Garcia, Renato Pinheiro, Maria Gladys, Helena Ignez<\/p>\n

SCHEDULE FOR SEPTEMBER 27, 2025 AND SEPTEMBER 28, 2025<\/strong><\/p>\n

September 27, 2025 at 2 PM
O <\/em><\/strong>Walachai's Book<\/em><\/strong> (2007)
<\/em><\/strong>In Walachai, a small German community in southern Brazil, lives the teacher and farmer Bruno Wendling. He wrote the history of the village by hand, in meticulous calligraphy, in a book.
<\/em><\/strong>The film reveals a very different Brazil, unknown to most Brazilians.
<\/em><\/strong>Directed by: Rejane Zilles<\/p>\n

September 27, 2025 at 4 PM
<\/em>\u00d4 <\/strong>People, then no<\/em><\/strong> (1973)
<\/em><\/strong>The film is a documentary about farmers in the town of Salgadinho, near Garanhuns, in Pernambuco.
<\/em><\/strong>It primarily shows the difficulties faced by ten families.
<\/em><\/strong>Directed by: Joaquim Assis<\/p>\n

September 28, 2025 at 2 PM
O <\/em><\/strong>Walachai's Book<\/em><\/strong> (2007)
<\/em><\/strong>In Walachai, a small German community in southern Brazil, lives the teacher and farmer Bruno Wendling. He wrote the history of the village by hand, in meticulous calligraphy, in a book.
<\/em><\/strong>The film reveals a very different Brazil, unknown to most Brazilians.
<\/em><\/strong>Directed by: Rejane Zilles<\/p>\n

September 28, 2025 at 4 PM
<\/em>\u00d4 <\/strong>People, then no<\/em><\/strong> (1973)
<\/em><\/strong>The film is a documentary about farmers in the town of Salgadinho, near Garanhuns, in Pernambuco.
<\/em><\/strong>It primarily shows the difficulties faced by ten families.
<\/em><\/strong>Directed by: Joaquim Assis<\/p>\n

<\/p>\n

SCHEDULE FOR OCTOBER 4TH AND 5TH, 2025<\/strong><\/p>\n

<\/p>\n

04\/10\/2025 at 2 PM
D<\/em><\/strong>They say I'm crazy.<\/em><\/strong> (1994)
<\/em>Based on the accounts and stories of those who, throughout the centuries, have been called \u201c"street lunatics"\u201d<\/em>, The city is captured in its diverse rhythms and pulses.
<\/em>Directed by: Miriam Chnaiderman
<\/em>Second Class Passengers<\/em><\/strong> (2001)
<\/em>A humanized cinematic look inside a mental institution, where segregated patients are subjected to abandonment, isolation, electroshock therapy, and absolute misery.
<\/em>Directed by: Luiz Eduardo Jorge, Waldir de Pina & Jim-Il-Sem<\/p>\n

<\/p>\n

04\/10\/2025 at 4 PM
R<\/em><\/strong>bait<\/em><\/strong> (2004)
<\/em>A wanderer promotes urban art intervention in the streets of Rio de Janeiro, scratching the walls he passes with a stone, as a form of... \u201c"to write"\u201d<\/em> your journey through the city streets.
<\/em>Directed by: Bernardo Gebara
S<\/strong><\/em>t<\/strong>She from Patroc\u00ednio \u2013 The Woman Who Spoke Things<\/em><\/strong> (2007)
<\/em>Stela, a poet and painter, talked and talked. She managed to find words for everything we can't say.
<\/em>Directed by: M\u00e1rcio de Andrade<\/p>\n

<\/p>\n

05\/10\/2025 at 2 PM
D<\/em>They say I'm crazy. <\/em><\/strong>(1994)
<\/em><\/strong>Based on the accounts and stories of those who, throughout the centuries, have been called \u201c"street lunatics"\u201d<\/em>, The city is captured in its diverse rhythms and pulses.
<\/em>Directed by: Miriam Chnaiderman
<\/em>Second Class Passengers <\/em><\/strong>(2001)
<\/em>A humanized cinematic look inside a mental institution, where segregated patients are subjected to abandonment, isolation, electroshock therapy, and absolute misery.
<\/em>Directed by: Luiz Eduardo Jorge, Waldir de Pina & Jim-Il-Sem<\/p>\n

<\/p>\n

05\/10\/2025 at 4 PM
R<\/em>bait <\/em><\/strong>(2004)
<\/em>A wanderer promotes urban art intervention in the streets of Rio de Janeiro, scratching the walls he passes with a stone, as a form of... \u201c"to write"\u201d<\/em> your journey through the city streets.
<\/em>Directed by: Bernardo Gebara
S<\/em>Patroc\u00ednio's screen \u2013 The Woman Who Spoke Things <\/em><\/strong>(2007)
<\/em>Stela, a poet and painter, talked and talked. She managed to find words for everything we can't say.
<\/em>Directed by: M\u00e1rcio de Andrade<\/p>\n

<\/p>\n

\"\"<\/figure>\n

<\/p>\n

An image of <\/em>Stela do Patroc\u00ednio \u2013 The Woman Who Spoke Things. <\/em><\/p>\n

SCHEDULE FOR OCTOBER 11, 2025 AND OCTOBER 12, 2025<\/strong><\/p>\n

11\/10\/2025 at 2 PM
L<\/em><\/strong>Urdinha, The Illusion Seller<\/em><\/strong> (2007)
<\/em>Lurdinha, a woman of approximately forty years of age, elegantly dressed, sells lottery tickets in downtown Florian\u00f3polis. While she sells her tickets, she chats with people and gives advice.
<\/em>The film is an account of the importance of people who could remain anonymous, but who become a link between the private and collective lives of the urban population.
<\/em>Directed by: Cesar Cavalcanti<\/p>\n

11\/10\/2025 at 4 PM
L<\/em><\/strong>eila Forever Diniz<\/em><\/strong> (1976)
<\/em>Based on excerpts from films in which she participated as a professional actress, testimonials from friends, and Super 8 mm footage from a film about her., Leila Forever Diniz<\/em> reveals candid glimpses into the private life of actress Leila Diniz (1945-1972), who, in addition to being a muse of the Ipanema neighborhood, was a legend for a generation.
<\/em>Directed by: Mariza Le\u00e3o & S\u00e9rgio Rezende
<\/em>Please<\/em><\/strong> (2002)
<\/em>The film tells the story of Jos\u00e9 Datrino, who one day abandoned his family, job, and friends to go out into the streets of Rio de Janeiro preaching peace and kindness. Jos\u00e9 then became the Prophet of Kindness, who left dozens of messages, painted with a very special graphic design, on the pillars near the Novo Rio Bus Station.
<\/em>Directed by: Dado Amaral<\/p>\n

12\/10\/2025 at 2 PM
L<\/em><\/strong>Urdinha, The Illusion Seller<\/em><\/strong> (2007)
<\/em>Lurdinha, a woman of approximately forty years of age, elegantly dressed, sells lottery tickets in downtown Florian\u00f3polis. While she sells her tickets, she chats with people and gives advice.
<\/em>The film is an account of the importance of people who could remain anonymous, but who become a link between the private and collective lives of the urban population.
<\/em>Directed by: Cesar Cavalcanti<\/p>\n

12\/10\/2025 at 4 PM
L<\/em><\/strong>eila Forever Diniz<\/em><\/strong> (1976)
<\/em>Based on excerpts from films in which she participated as a professional actress, testimonials from friends, and Super 8 mm footage from a film about her., Leila Forever Diniz<\/em> reveals candid glimpses into the private life of actress Leila Diniz (1945-1972), who, in addition to being a muse of the Ipanema neighborhood, was a legend for a generation.
<\/em>Directed by: Mariza Le\u00e3o & S\u00e9rgio Rezende
<\/em>Please<\/em><\/strong> (2002)
<\/em>The film tells the story of Jos\u00e9 Datrino, who one day abandoned his family, job, and friends to go out into the streets of Rio de Janeiro preaching peace and kindness. Jos\u00e9 then became the Prophet of Kindness, who left dozens of messages, painted with a very special graphic design, on the pillars near the Novo Rio Bus Station.
<\/em>Directed by: Dado Amaral<\/p>\n

SCHEDULE FOR OCTOBER 18, 2025 AND OCTOBER 19, 2025<\/strong><\/p>\n

10\/18\/2025 at 2 PM
N<\/em>Our Samba School <\/em><\/strong>(1965)
<\/em>One of the founders of the Unidos de Vila Isabel samba school shows the school's preparations for the 1965 Carnival. He also presents the daily life of the Pau da Bandeira favela.
<\/em>Directed by: Manuel Hor\u00e1cio Gimenez<\/p>\n

10\/18\/2025 at 4 PM
<\/em><\/strong>B<\/em>Ubula, The Red Face<\/em> (1999)
<\/em>The documentary career of documentarian, cinematographer and photographer Wolfgang Jesco von Puttkamer (1919-1994), who participated in several missions to bring anthropologists Cl\u00e1udio (1916-1998) & Orlando Villas-B\u00f4as (1914-2002) and Francisco Meirelles (1908-1973) closer to the indigenous peoples.
<\/em>The film revisits the cinematic work of Wolfgang Jesco, built over four decades with indigenous people from the Brazilian Amazon.
<\/em>Directed by: Lu\u00eds Eduardo Jorge<\/p>\n

10\/19\/2025 at 2 PM
N<\/em>Our Samba School <\/em><\/strong>(1965)
<\/em>One of the founders of the Unidos de Vila Isabel samba school shows the school's preparations for the 1965 Carnival. He also presents the daily life of the Pau da Bandeira favela.
<\/em>Directed by: Manuel Hor\u00e1cio Gimenez<\/p>\n

10\/19\/2025 at 4 PM
B<\/em>Ubula, The Red Face<\/em><\/strong> (1999)
<\/em>The documentary career of documentarian, cinematographer and photographer Wolfgang Jesco von Puttkamer (1919-1994), who participated in several missions to bring anthropologists Cl\u00e1udio (1916-1998) & Orlando Villas-B\u00f4as (1914-2002) and Francisco Meirelles (1908-1973) closer to the indigenous peoples.
<\/em>The film revisits the cinematic work of Wolfgang Jesco, built over four decades with indigenous people from the Brazilian Amazon.
<\/em>Directed by: Lu\u00eds Eduardo Jorge<\/p>\n

SCHEDULE FOR OCTOBER 25, 2025 AND OCTOBER 26, 2025<\/strong><\/p>\n

25\/10\/2025 at 2 PM
O<\/em><\/strong> The Greatest Show on Earth<\/em><\/strong> (2005)
<\/em><\/strong>In northern Minas Gerais, a circus is on the brink of collapse.
<\/em><\/strong>Directed by: Marcos Pimentel
The Lens and the Window<\/em><\/strong> (2005)
<\/em><\/strong>A girl receives a video camera for Christmas. From then on, she transforms herself through the camera and the window.,
<\/em><\/strong>Directed by: Marcius Barbieri
<\/em><\/strong>Cast: J\u00e9ssica Ludmila, Wal\u00e9ria Christina Chagas, Walber Vin\u00edcius Chagas, Bruno Henrique Chagas, Adeilton Lima, Andr\u00e9 Amaro, Martha Carvalho, N\u00edvia Helen<\/p>\n

October 25, 2025 at 4 PM
W<\/em><\/strong>holes<\/em><\/strong> (1991)
<\/em><\/strong>When you split a hole in half, do you get two new holes or two half-holes?
<\/em><\/strong>The film is a portrait<\/em> from the city of S\u00e3o Paulo.
<\/em><\/strong>Directed by: AS Cec\u00edlio Neto
<\/em><\/strong>Cast: Adriano Stuart, L\u00edgia Cortez and Carlos Reichenbach
<\/em>G<\/em>Flying Eraldo<\/em><\/strong> (1994)
<\/em><\/strong>A boy from the favela with a special gift ends up getting involved with drug traffickers.
<\/em><\/strong>Based on the works of American comic book artist Will Eisner (1917-2005).
<\/em><\/strong>Directed by: Bruno Vianna
<\/em><\/strong>Cast: Robson dos Santos, Bruno Garcia, Renato Pinheiro, Maria Gladys, Helena Ignez<\/p>\n

October 26, 2025 at 2 PM
The Greatest Show on Earth<\/em><\/strong> (2005)
<\/em><\/strong>In northern Minas Gerais, a circus is on the brink of collapse.
<\/em><\/strong>Directed by: Marcos Pimentel
The Lens and the Window<\/em><\/strong> (2005)
<\/em><\/strong>A girl receives a video camera for Christmas. From then on, she transforms herself through the camera and the window.
<\/em><\/strong>Directed by: Marcius Barbieri
<\/em><\/strong>Cast: J\u00e9ssica Ludmila, Wal\u00e9ria Christina Chagas, Walber Vin\u00edcius Chagas, Bruno Henrique Chagas, Adeilton Lima, Andr\u00e9 Amaro, Martha Carvalho, N\u00edvia Helen<\/p>\n

October 26, 2025 at 4 PM
<\/em><\/strong>Wholes<\/em><\/strong> (1991)
<\/em><\/strong>When you split a hole in half, do you get two new holes or two half-holes?
<\/em><\/strong>The film is a portrait<\/em> from the city of S\u00e3o Paulo.
<\/em><\/strong>Directed by: AS Cec\u00edlio Neto
<\/em><\/strong>Cast: Adriano Stuart, L\u00edgia Cortez and Carlos Reichenbach
<\/em><\/strong>Flying Gerald<\/em><\/strong> (1994)
<\/em><\/strong>(A boy from the favela with a special gift ends up getting involved with drug traffickers)
<\/em><\/strong>Based on the works of American comic book artist Will Eisner (1917-2005).
<\/em><\/strong>Directed by: Bruno Vianna
<\/em><\/strong>Cast: Robson dos Santos, Bruno Garcia, Renato Pinheiro, Maria Gladys, Helena Ignez<\/p>\n

<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

TERMO DE FOMENTO N\u00ba 177\/2025PROCESSO SCEC-PRC-2025-00035-DMDEMANDA 83981UGE 120101EMENDA PARLAMENTAR N\u00ba 2025.257.64130 Em […]<\/p>\n","protected":false},"author":3,"featured_media":9466,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60,30],"tags":[],"class_list":["post-9457","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinematografo","category-projetos"],"acf":[],"yoast_head":"\nRETRATOS DO BRASIL - Cine Clube Cauim<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cauim.org\/en\/portraits-of-brazil\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RETRATOS DO BRASIL - Cine Clube Cauim\" \/>\n<meta property=\"og:description\" content=\"TERMO DE FOMENTO N\u00ba 177\/2025PROCESSO SCEC-PRC-2025-00035-DMDEMANDA 83981UGE 120101EMENDA PARLAMENTAR N\u00ba 2025.257.64130 Em […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cauim.org\/en\/portraits-of-brazil\/\" \/>\n<meta property=\"og:site_name\" content=\"Cine Clube Cauim\" \/>\n<meta property=\"article:published_time\" content=\"2025-09-25T16:46:42+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-27T18:25:07+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/retratos-0.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"746\" \/>\n\t<meta property=\"og:image:height\" content=\"434\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"marcoal.lucchetti\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"marcoal.lucchetti\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"14 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/cauim.org\/retratos-do-brasil\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/cauim.org\/retratos-do-brasil\/\"},\"author\":{\"name\":\"marcoal.lucchetti\",\"@id\":\"https:\/\/cauim.org\/#\/schema\/person\/3f1c3cdcd0cfeb72cea8b62c3585a4dc\"},\"headline\":\"RETRATOS DO BRASIL\",\"datePublished\":\"2025-09-25T16:46:42+00:00\",\"dateModified\":\"2026-01-27T18:25:07+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/cauim.org\/retratos-do-brasil\/\"},\"wordCount\":2456,\"publisher\":{\"@id\":\"https:\/\/cauim.org\/#organization\"},\"articleSection\":[\"Cinemat\u00f3grafo\",\"Projetos\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cauim.org\/retratos-do-brasil\/\",\"url\":\"https:\/\/cauim.org\/retratos-do-brasil\/\",\"name\":\"RETRATOS DO BRASIL - Cine Clube Cauim\",\"isPartOf\":{\"@id\":\"https:\/\/cauim.org\/#website\"},\"datePublished\":\"2025-09-25T16:46:42+00:00\",\"dateModified\":\"2026-01-27T18:25:07+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/cauim.org\/retratos-do-brasil\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cauim.org\/retratos-do-brasil\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cauim.org\/retratos-do-brasil\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"In\u00edcio\",\"item\":\"https:\/\/cauim.org\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"RETRATOS DO BRASIL\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cauim.org\/#website\",\"url\":\"https:\/\/cauim.org\/\",\"name\":\"Cine Clube Cauim\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/cauim.org\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/cauim.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/cauim.org\/#organization\",\"name\":\"Cine Clube Cauim\",\"url\":\"https:\/\/cauim.org\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/cauim.org\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/cauim.org\/wp-content\/uploads\/2023\/06\/cauim-roxo.png\",\"contentUrl\":\"https:\/\/cauim.org\/wp-content\/uploads\/2023\/06\/cauim-roxo.png\",\"width\":596,\"height\":161,\"caption\":\"Cine Clube Cauim\"},\"image\":{\"@id\":\"https:\/\/cauim.org\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.instagram.com\/cauimoficial\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/cauim.org\/#\/schema\/person\/3f1c3cdcd0cfeb72cea8b62c3585a4dc\",\"name\":\"marcoal.lucchetti\",\"url\":\"https:\/\/cauim.org\/en\/author\/marcoal-lucchetti\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"PORTRAITS OF BRAZIL - Cauim Film Club","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/cauim.org\/en\/portraits-of-brazil\/","og_locale":"en_US","og_type":"article","og_title":"RETRATOS DO BRASIL - Cine Clube Cauim","og_description":"TERMO DE FOMENTO N\u00ba 177\/2025PROCESSO SCEC-PRC-2025-00035-DMDEMANDA 83981UGE 120101EMENDA PARLAMENTAR N\u00ba 2025.257.64130 Em […]","og_url":"https:\/\/cauim.org\/en\/portraits-of-brazil\/","og_site_name":"Cine Clube Cauim","article_published_time":"2025-09-25T16:46:42+00:00","article_modified_time":"2026-01-27T18:25:07+00:00","og_image":[{"width":746,"height":434,"url":"http:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/retratos-0.jpg","type":"image\/jpeg"}],"author":"marcoal.lucchetti","twitter_card":"summary_large_image","twitter_misc":{"Written by":"marcoal.lucchetti","Est. reading time":"14 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/cauim.org\/retratos-do-brasil\/#article","isPartOf":{"@id":"https:\/\/cauim.org\/retratos-do-brasil\/"},"author":{"name":"marcoal.lucchetti","@id":"https:\/\/cauim.org\/#\/schema\/person\/3f1c3cdcd0cfeb72cea8b62c3585a4dc"},"headline":"RETRATOS DO BRASIL","datePublished":"2025-09-25T16:46:42+00:00","dateModified":"2026-01-27T18:25:07+00:00","mainEntityOfPage":{"@id":"https:\/\/cauim.org\/retratos-do-brasil\/"},"wordCount":2456,"publisher":{"@id":"https:\/\/cauim.org\/#organization"},"articleSection":["Cinemat\u00f3grafo","Projetos"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/cauim.org\/retratos-do-brasil\/","url":"https:\/\/cauim.org\/retratos-do-brasil\/","name":"PORTRAITS OF BRAZIL - Cauim Film Club","isPartOf":{"@id":"https:\/\/cauim.org\/#website"},"datePublished":"2025-09-25T16:46:42+00:00","dateModified":"2026-01-27T18:25:07+00:00","breadcrumb":{"@id":"https:\/\/cauim.org\/retratos-do-brasil\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/cauim.org\/retratos-do-brasil\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/cauim.org\/retratos-do-brasil\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"In\u00edcio","item":"https:\/\/cauim.org\/"},{"@type":"ListItem","position":2,"name":"RETRATOS DO BRASIL"}]},{"@type":"WebSite","@id":"https:\/\/cauim.org\/#website","url":"https:\/\/cauim.org\/","name":"Cauim Film Club","description":"","publisher":{"@id":"https:\/\/cauim.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/cauim.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/cauim.org\/#organization","name":"Cauim Film Club","url":"https:\/\/cauim.org\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/cauim.org\/#\/schema\/logo\/image\/","url":"https:\/\/cauim.org\/wp-content\/uploads\/2023\/06\/cauim-roxo.png","contentUrl":"https:\/\/cauim.org\/wp-content\/uploads\/2023\/06\/cauim-roxo.png","width":596,"height":161,"caption":"Cine Clube Cauim"},"image":{"@id":"https:\/\/cauim.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.instagram.com\/cauimoficial\/"]},{"@type":"Person","@id":"https:\/\/cauim.org\/#\/schema\/person\/3f1c3cdcd0cfeb72cea8b62c3585a4dc","name":"marcoal.lucchetti","url":"https:\/\/cauim.org\/en\/author\/marcoal-lucchetti\/"}]}},"_links":{"self":[{"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/posts\/9457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/comments?post=9457"}],"version-history":[{"count":45,"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/posts\/9457\/revisions"}],"predecessor-version":[{"id":10176,"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/posts\/9457\/revisions\/10176"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/media\/9466"}],"wp:attachment":[{"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/media?parent=9457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/categories?post=9457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/tags?post=9457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}