{"id":5853,"date":"2025-02-18T14:53:36","date_gmt":"2025-02-18T17:53:36","guid":{"rendered":"https:\/\/cauim.org\/?p=5853"},"modified":"2026-01-29T15:55:18","modified_gmt":"2026-01-29T18:55:18","slug":"my-impressions-regarding-jean-rollin","status":"publish","type":"post","link":"https:\/\/cauim.org\/en\/my-impressions-regarding-jean-rollin\/","title":{"rendered":"MY IMPRESSIONS OF JEAN ROLLIN"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"5853\" class=\"elementor elementor-5853\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7bb899ed elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7bb899ed\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-25306836\" data-id=\"25306836\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-8fae674 elementor-widget elementor-widget-text-editor\" data-id=\"8fae674\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><\/p>\n<p><i>R<\/i>.<em> F. Lucchetti<br \/>E<\/em><em>Edition: Marco Aur\u00e9lio Lucchetti<\/em><\/p>\n<p><span style=\"font-size: inherit; color: var(--uicore-typography--p-c,'#070707'); font-family: var(--uicore-typography--p-f,'Inter'); font-style: var(--uicore-typography--p-st,'normal'); font-weight: var(--uicore-typography--p-w,'600'); letter-spacing: var(--uicore-typography--p-ls,'-0.027em'); text-transform: var(--uicore-typography--p-t,'none'); background-color: rgba(255, 255, 255, 0);\">For decades\u2026 To be more precise, for about thirty-seven years, I saw photos of films directed by the French filmmaker Jean Rollin published in French and other European magazines. I would see the photos and imagine what those films would be like. I had no idea what stories they told. But I knew they would be films I would enjoy, based on what the photos showed. And I wasn&#039;t wrong when, around 2010, I watched several of Rollin&#039;s films. And I was only able to see them thanks to my friend Valter Martins de Paula, who found them at\u2026 <\/span><i style=\"font-size: inherit; color: var(--uicore-typography--p-c,'#070707'); font-family: var(--uicore-typography--p-f,'Inter'); font-weight: var(--uicore-typography--p-w,'600'); letter-spacing: var(--uicore-typography--p-ls,'-0.027em'); text-transform: var(--uicore-typography--p-t,'none'); background-color: rgba(255, 255, 255, 0);\">Internet<\/i><span style=\"font-size: inherit; color: var(--uicore-typography--p-c,'#070707'); font-family: var(--uicore-typography--p-f,'Inter'); font-style: var(--uicore-typography--p-st,'normal'); font-weight: var(--uicore-typography--p-w,'600'); letter-spacing: var(--uicore-typography--p-ls,'-0.027em'); text-transform: var(--uicore-typography--p-t,'none'); background-color: rgba(255, 255, 255, 0);\"> (The filmmaker&#039;s main films are available at) <\/span><i style=\"font-size: inherit; color: var(--uicore-typography--p-c,'#070707'); font-family: var(--uicore-typography--p-f,'Inter'); font-weight: var(--uicore-typography--p-w,'600'); letter-spacing: var(--uicore-typography--p-ls,'-0.027em'); text-transform: var(--uicore-typography--p-t,'none'); background-color: rgba(255, 255, 255, 0);\">Internet<\/i><span style=\"font-size: inherit; color: var(--uicore-typography--p-c,'#070707'); font-family: var(--uicore-typography--p-f,'Inter'); font-style: var(--uicore-typography--p-st,'normal'); font-weight: var(--uicore-typography--p-w,'600'); letter-spacing: var(--uicore-typography--p-ls,'-0.027em'); text-transform: var(--uicore-typography--p-t,'none'); background-color: rgba(255, 255, 255, 0);\">, and many of them are subtitled in Portuguese) and copied them into several <\/span><i style=\"font-size: inherit; color: var(--uicore-typography--p-c,'#070707'); font-family: var(--uicore-typography--p-f,'Inter'); font-weight: var(--uicore-typography--p-w,'600'); letter-spacing: var(--uicore-typography--p-ls,'-0.027em'); text-transform: var(--uicore-typography--p-t,'none'); background-color: rgba(255, 255, 255, 0);\">DVDs<\/i><span style=\"font-size: inherit; color: var(--uicore-typography--p-c,'#070707'); font-family: var(--uicore-typography--p-f,'Inter'); font-style: var(--uicore-typography--p-st,'normal'); font-weight: var(--uicore-typography--p-w,'600'); letter-spacing: var(--uicore-typography--p-ls,'-0.027em'); text-transform: var(--uicore-typography--p-t,'none'); background-color: rgba(255, 255, 255, 0);\">. I take this opportunity to say that these <\/span><i style=\"font-size: inherit; color: var(--uicore-typography--p-c,'#070707'); font-family: var(--uicore-typography--p-f,'Inter'); font-weight: var(--uicore-typography--p-w,'600'); letter-spacing: var(--uicore-typography--p-ls,'-0.027em'); text-transform: var(--uicore-typography--p-t,'none'); background-color: rgba(255, 255, 255, 0);\">DVDs<\/i><span style=\"font-size: inherit; color: var(--uicore-typography--p-c,'#070707'); font-family: var(--uicore-typography--p-f,'Inter'); font-style: var(--uicore-typography--p-st,'normal'); font-weight: var(--uicore-typography--p-w,'600'); letter-spacing: var(--uicore-typography--p-ls,'-0.027em'); text-transform: var(--uicore-typography--p-t,'none'); background-color: rgba(255, 255, 255, 0);\"> They were some of the best gifts I&#039;ve ever received in my life.<\/span><\/p>\n<p><\/p>\n<p><\/p>\n<figure class=\"wp-block-image size-large is-resized\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-5855\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-2-1024x460.jpg\" alt=\"\" width=\"787\" height=\"353\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-2-1024x460.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-2-300x135.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-2-768x345.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-2-1536x690.jpg 1536w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-2-650x292.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-2.jpg 1864w\" sizes=\"(max-width: 787px) 100vw, 787px\" \/><\/figure>\n<p><\/p>\n<p><\/p>\n<p>Jean Rollin was a unique director. For me, there has never been \u2013 nor will there ever be \u2013 another like him.<br \/>Many dislike his films, finding them meaningless. In reality, Rollin wasn&#039;t very concerned with telling a story in the traditional way. He was concerned with telling them in a surreal manner. He was, above all, a poet of the image. Each frame of his films is a painting. To verify what I&#039;m saying, I recommend watching the film. <i>La Rose de Fer<\/i> (1973), inspired by\u00a0\u00a0<i>Cheese and guava<\/i> (the famous play by William Shakespeare) and set in a cemetery at night.<\/p>\n<p><\/p>\n<p><\/p>\n<figure class=\"wp-block-image size-large is-resized\"><img decoding=\"async\" class=\"wp-image-5856\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-3-1024x633.jpg\" alt=\"\" width=\"788\" height=\"486\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-3-1024x633.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-3-300x185.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-3-768x475.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-3-650x402.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-3.jpg 1280w\" sizes=\"(max-width: 788px) 100vw, 788px\" \/><\/figure>\n<p><\/p>\n<p><\/p>\n<p>Speaking of cemeteries, Jean Rollin was one of the filmmakers who best knew how to explore ruins and cemeteries in cinema.<span style=\"color: var(--uicore-typography--p-c,'#070707'); font-family: var(--uicore-typography--p-f,'Inter'); font-size: var(--uicore-typography--p-s,'10px'); font-style: var(--uicore-typography--p-st,'normal'); font-weight: var(--uicore-typography--p-w,'600'); letter-spacing: var(--uicore-typography--p-ls,'-0.027em'); text-transform: var(--uicore-typography--p-t,'none'); background-color: rgba(255, 255, 255, 0);\">.<br \/>P<\/span><span style=\"font-size: inherit; color: var(--uicore-typography--p-c,'#070707'); font-family: var(--uicore-typography--p-f,'Inter'); font-style: var(--uicore-typography--p-st,'normal'); font-weight: var(--uicore-typography--p-w,'600'); letter-spacing: var(--uicore-typography--p-ls,'-0.027em'); text-transform: var(--uicore-typography--p-t,'none'); background-color: rgba(255, 255, 255, 0);\">for the French critic and essayist Roger Caillois (1913-1978), <\/span><span style=\"font-size: inherit; color: var(--uicore-typography--p-c,'#070707'); font-family: var(--uicore-typography--p-f,'Inter'); font-style: var(--uicore-typography--p-st,'normal'); font-weight: var(--uicore-typography--p-w,'600'); letter-spacing: var(--uicore-typography--p-ls,'-0.027em'); text-transform: var(--uicore-typography--p-t,'none'); background-color: rgba(255, 255, 255, 0);\"><i>\u201c&quot;Everything fantastic is a rupture of the established order, an irruption of the inadmissible within the unalterable everyday legality.&quot;\u201d<\/i><\/span><span style=\"font-size: inherit; color: var(--uicore-typography--p-c,'#070707'); font-family: var(--uicore-typography--p-f,'Inter'); font-style: var(--uicore-typography--p-st,'normal'); font-weight: var(--uicore-typography--p-w,'600'); letter-spacing: var(--uicore-typography--p-ls,'-0.027em'); text-transform: var(--uicore-typography--p-t,'none'); background-color: rgba(255, 255, 255, 0);\">. I would add that the fantastic (from which horror is derived) is when the surreal and the unreal erupt into the real.<\/span><\/p>\n<p><\/p>\n<p><\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"574\" class=\"wp-image-5858\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-4-1-1024x574.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-4-1-1024x574.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-4-1-300x168.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-4-1-768x430.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-4-1-650x364.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-4-1.jpg 1278w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<p><\/p>\n<p><\/p>\n<p>And the image above, taken from the film <i>The Thrill of Vampires<\/i> (directed by Rollin in 1971), perfectly represents what Caillois stated. Why could there be anything more surreal and unreal than an exuberant bride (dressed in white) in a cemetery?<br \/>I believe that, like me, Jean Rollin didn&#039;t see much meaning in real life. That&#039;s why he created surreal plots. He also created surreal characters, like the vampire Isolde (played by Dominique), who, in one of the most memorable sequences of... <i>The Thrill of Vampires<\/i>, It emerges from within a carillon. Could there be a more surreal scene than that?<\/p>\n<p><\/p>\n<p><\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1011\" height=\"457\" class=\"wp-image-5859\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-5.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-5.jpg 1011w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-5-300x136.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-5-768x347.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-5-650x294.jpg 650w\" sizes=\"(max-width: 1011px) 100vw, 1011px\" \/><\/figure>\n<p><\/p>\n<p><\/p>\n<p>I cannot fail to mention here a remarkable character created by Jean Rollin: \u00c9lizabeth (played by Marie-Georges Pascal), the young woman who, in <i>Les Raisins de la Mort<\/i> (1978), spends all his time running away from a horde of zombies.<br \/>About <i>Les Raisins de la Mort<\/i>, Jean Rollin stated that it was her <i>\u201c&quot;first traditional, almost conventional production&quot;\u201d<\/i>. Regarding Marie-Georges Pascal&#039;s (1946-1985) performance in the film, he stated that it was very... <i>\u201c&quot;moving&quot;\u201d<\/i>.<\/p>\n<p><\/p>\n<p><\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"510\" class=\"wp-image-5860\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-6-1024x510.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-6-1024x510.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-6-300x149.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-6-768x382.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-6-650x323.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-6.jpg 1260w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<p><\/p>\n<p><\/p>\n<p>One of my frustrations is not having met, or rather, not having worked with Jean Rollin, who was an aesthete, a visionary.<br \/>I wish I had written the screenplay for <i>The Thrill of Vampires<\/i>, which has some of the most beautiful images I&#039;ve ever seen on film. Any single frame of <i>The Thrill of Vampires<\/i> It&#039;s worth more than most film and audiovisual courses that abound in every corner of the world. Every frame of this film is pure cinema (for me, cinema is the art of expression through images).<\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<p><\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"409\" class=\"wp-image-5861\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-7-1024x409.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-7-1024x409.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-7-300x120.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-7-768x307.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-7-1536x613.jpg 1536w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-7-650x260.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-7.jpg 1898w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<p><\/p>\n<p><\/p>\n<p>One of the defining characteristics of Rollin&#039;s films: their female characters, such as Ise (played by Sandra Julien) in <i>The Thrill of Vampires<\/i>, They resemble catwalk mannequins, due to their expressionless faces, which further enhances the surreal tone of the films.<\/p>\n<p><\/p>\n<p><\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"550\" class=\"wp-image-5862\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-8-1024x550.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-8-1024x550.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-8-300x161.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-8-768x412.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-8-1536x825.jpg 1536w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-8-650x349.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/02\/jean-8.jpg 1658w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<p><\/p>\n<p><\/p>\n<p>In conclusion, the death of Jean Rollin in 2010 was a great loss. Not only for horror cinema, but for cinema in general.<\/p>\n<p><\/p>\n<p><\/p>\n<p><i>RF Lucchetti (Rubens Francisco Lucchetti, 1930-2024) was a fiction writer and screenwriter for Cinema &amp; Comics.<\/i><\/p>\n<p><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>R. F. LucchettiEdi\u00e7\u00e3o: Marco Aur\u00e9lio Lucchetti Durante d\u00e9cadas\u2026 Para ser mais preciso, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5864,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60],"tags":[],"class_list":["post-5853","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinematografo"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>MINHAS IMPRESS\u00d5ES A RESPEITO DE JEAN ROLLIN - Cine Clube Cauim<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cauim.org\/en\/my-impressions-regarding-jean-rollin\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MINHAS IMPRESS\u00d5ES A RESPEITO DE JEAN ROLLIN - Cine Clube Cauim\" \/>\n<meta property=\"og:description\" content=\"R. 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