{"id":11289,"date":"2026-05-18T13:10:07","date_gmt":"2026-05-18T16:10:07","guid":{"rendered":"https:\/\/cauim.org\/?p=11289"},"modified":"2026-07-30T08:15:29","modified_gmt":"2026-07-30T11:15:29","slug":"cinema-literature-2","status":"publish","type":"post","link":"https:\/\/cauim.org\/en\/cinema-literature-2\/","title":{"rendered":"CINEMA &amp; LITERATURE"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"11289\" class=\"elementor elementor-11289\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4ab04ae elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4ab04ae\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2c840bb0\" data-id=\"2c840bb0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-75702116 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"75702116\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>TERMO DE FOMENTO N\u00ba 304\/2026<em><br \/><\/em>P<\/strong><strong>ROCESSO SCEC-PRC-2026-00159-DM<em><br \/><\/em>D<\/strong><strong>emanda 100870<em><br \/><\/em>U<\/strong><strong>GE\u00a0120125<\/strong><\/p>\n<p>The project <strong>CINEMA &amp; LITERATURE<\/strong> \u00e9 uma atividade, com sess\u00f5es gratuitas de cinema, dirigida \u00e0s associa\u00e7\u00f5es de bairros de Ribeir\u00e3o Preto, por meio da FABARP \u2013 Federa\u00e7\u00e3o das Associa\u00e7\u00f5es de Bairros de Ribeir\u00e3o Preto (CNPJ 51.822.583\/0001-777), alunos das redes p\u00fablica e privada de ensino e p\u00fablico em geral. Ser\u00e3o exibidos filmes adaptados de obras liter\u00e1rias de g\u00eaneros diversos. O objetivo do projeto \u00e9 aproximar a popula\u00e7\u00e3o ribeir\u00e3o-pretana desta forma de cultura, do livro e dos universos que ela abre para a forma\u00e7\u00e3o integral do ser humano.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p>Cinema has always looked to literature for themes and plots that have given rise to films of the most varied genres.<em><br \/><\/em>Muitos desses filmes alcan\u00e7aram grande sucesso de p\u00fablico e\/ou se tornaram verdadeiros cl\u00e1ssicos. A palavra escrita, ferramenta fundamental da Literatura, exige talvez mais esfor\u00e7o do que a imagem, para ser entendida pelo receptor. Mas ambas, palavra escrita e imagem, necessitam da mente humana no processo de defini\u00e7\u00e3o do discurso. E a pr\u00f3pria palavra <em>\u201c&quot;imagine&quot;\u201d<\/em> This already allows us to understand that all human thought is structured as an image. In other words, the world can only be thought about through images.<em><br \/><\/em>Following this preamble, we want to say that the films shown in the sessions <strong>CINEMA &amp; LITERATURE<\/strong> They seek, in various ways, to account for this relationship between the written word and the image, in a process that scholars would call transcoding.<\/p>\n<p>A seguir, a <strong>PROGRAMA\u00c7\u00c3O<\/strong> completa.<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DO DIA 22\/05\/2026<\/strong>\u00a0<\/p>\n<p><strong>22\/05\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>A<\/em><\/strong><strong><em>\u00a0John Guimar\u00e3es Rosa<\/em><\/strong> (Brasil, 1968, 35&#8242;)<em><br \/><\/em>Images of the backlands of Minas Gerais (human types, geographical aspects, domestic chores) and narrated excerpts from the novel.\u00a0<em>Grande Sert\u00e3o: Veredas<\/em>\u00a0(1956), by the Minas Gerais writer Jo\u00e3o Guimar\u00e3es Rosa (1908-1967).<em><br \/><\/em><strong>Direction:<\/strong> Roberto Santos &amp; Marcelo Tassara<em><br \/><\/em><strong>Narra\u00e7\u00e3o:<\/strong> Humberto Mar\u00e7al<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<em><br \/><strong>F<\/strong><\/em><strong><em>ran\u00e7oise<\/em><\/strong> (Brasil, 2001, 22&#8242;)<em><br \/><\/em>Two lonely individuals, a girl named Fran\u00e7oise and a traveler, meet at a bus station.<em><br \/><\/em>Adaptation of the eponymous short story by Luiz Vilela.<em><br \/><\/em><strong>Direction:<\/strong> Rafael Conde<em><br \/><\/em><strong>Cast:<\/strong> D\u00e9bora Falabella, Fernando Ernesto e Rog\u00e9rio Falabelle<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 10 anos<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DOS DIAS 27\/05\/2026, 28\/05\/2026 E 29\/05\/2026<\/strong><\/p>\n<p><strong>27\/05\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>I<\/em><\/strong><strong><em>Inventory of the Rapine<\/em><\/strong> (Brasil, 1985, 30&#8242;)<em><br \/><\/em>Using text, narrative, and music by the poet, essayist, and translator Cl\u00e1udio Willer (1940-2023), the film records impressions of Brazil in the first half of the 1980s, and can be defined as an intimate-patriotic drama.<em><br \/><\/em>The autonomous segments are glued together, always with some dissonance between sound and image.<em><br \/><\/em>Among the film&#039;s powerful dialogues, Aloysio Raulino says:\u00a0<em>\u201c&quot;Some dead people are too bothersome. Dead people that nobody wants to know about, nobody wants to see!&quot;\u201d<br \/><\/em><strong>Direction:<\/strong> Aloysio Raulino<em><br \/><\/em><strong>Cast:<\/strong> Tamy Marrachine, Jos\u00e9 Gomes, Tavinho, Mineiro, Piriri, Lia<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 14 anos.<\/p>\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-9419\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-1024x694.jpg\" sizes=\"(max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-1024x694.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-300x203.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-768x520.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-650x440.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1.jpg 1423w\" alt=\"\" width=\"1024\" height=\"694\" \/><\/figure>\n<p><em>A scene from<\/em>\u00a0Inventory of the Plunder<em>.<\/em><\/p>\n<p><strong>28\/05\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>E<\/em><\/strong><strong><em>Pagu, Eh!<\/em><\/strong> (Brasil, 1982, 15&#8242;)<em><br \/><\/em>The film was made at a time when the memory of the writer, journalist and political activist Patr\u00edcia Galv\u00e3o (1910-1962), known as Pagu, was being rediscovered; she had been, until then, in relative obscurity.<em><br \/>Hey Pagu, Hey!<\/em>\u00a0It follows Pagu&#039;s trajectory, offering a generous portrait of the author of\u00a0<em>Industrial park<\/em>\u00a0(Published in 1933, Pagu signed it with the pseudonym Mara Lobo), considered the first Brazilian proletarian novel.<em><br \/><\/em><strong>Direction:<\/strong> Ivo Branco<em><br \/><\/em><strong>Cast:<\/strong> Edith Siqueira, Clodomiro Bacellar, Aldo Bueno e Julio Calasse<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 14 anos.<em><br \/><\/em><strong><em>My name is Paulo Leminski<\/em><\/strong> (Brasil, 2004, 5&#8242;)<em><br \/><\/em>A film that could be called\u00a0<em>\u201c&quot;experimental&quot;\u201d<\/em>\u00a0and which preserves, in its form, the irreverence of the poet and writer from Paran\u00e1, Paulo Leminski (1944-1989), and his nonconformity with established standards.<em><br \/><\/em><strong>Direction:<\/strong> Cezar Migliorin<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<\/p>\n<p><strong>29\/05\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>G<\/em><\/strong><strong><em>Flying Eraldo<\/em><\/strong> (Brasil, 1994, 11&#8242;)<em><br \/><\/em>A boy from the favela with a special gift ends up getting involved with drug traffickers.<em><br \/><\/em>Based on the works of American comic book artist Will Eisner (1917-2005).<em><br \/><\/em><strong>Direction:<\/strong> Bruno Vianna.<em><br \/><\/em><strong>Cast:<\/strong> Robson dos Santos, Bruno Garcia, Renato Pinheiro, Maria Gladys, Helena Ignee<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 14 anos.<strong><em><br \/>C<\/em><\/strong><strong><em>Landestine Happiness<\/em><\/strong> (Brasil, 1998, 14&#8242;)<em><br \/><\/em>The childhood of the writer Clarice Lispector (1920-1977), highlighting her love for animals and her passion for books.<em><br \/><\/em>The film brings together some stories\/chronicles from his childhood in the city of Recife, in the 1920s.<em><br \/><\/em><strong>Direction:<\/strong> Marcelo Gomes &amp; Beto Normal<em><br \/><\/em><strong>Cast:<\/strong> Luisa Phebo, Nathalia Corintha, Germano Haiut, Sarah Hazin e Isabel Brito<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DOS DIAS 04\/06\/2026 E 05\/06\/2026\u00a0<\/strong><\/p>\n<p><strong>04\/06\/2025 \u2013 16 horas<\/strong><\/p>\n<p><em><strong>A<\/strong><\/em><strong><em>They robbed the Grammar<\/em><\/strong> (Brasil, 1984, 12&#8242;)<em><br \/><\/em>The film profiles the poets Francisco Alvim, Paulo Leminski (1944-1989), Waly Salom\u00e3o (1943-2003) and Chacal (pseudonym of Ricardo de Carvalho Duarte), as well as paying homage to the poet Ana Cristina C\u00e9sar (1952-1983).<em><br \/><\/em><strong>Direction:<\/strong> Ana Maria Magalh\u00e3es<em><br \/><\/em><strong>Cast:<\/strong> Perfeito Fortuna, Lu\u00eds Fernando Guimar\u00e3es e Jorge Barr\u00e3o<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<em><br \/><\/em><strong><em>Patativa<\/em><\/strong> (Brasil, 2001, 10&#8242;)<em><br \/><\/em>Aspects of the life and work of the poet Patativa do Assar\u00e9 (1909-2002), one of the greatest names in Northeastern Brazilian popular culture.<em><br \/><\/em><strong>Direction:<\/strong> \u00cdtalo Maia<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<\/p>\n<p><strong>05\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>A<\/em><\/strong><strong><em>\u00a0John Guimar\u00e3es Rosa<\/em><\/strong> (Brasil, 1968, 35&#8242;)<em><br \/><\/em>Images of the backlands of Minas Gerais (human types, geographical aspects, domestic chores) and narrated excerpts from the novel.\u00a0<em>Grande Sert\u00e3o: Veredas<\/em>\u00a0(1956), by the Minas Gerais writer Jo\u00e3o Guimar\u00e3es Rosa (1908-1967).<em><br \/><\/em>Directed by: Roberto Santos &amp; Marcelo Tassara<em><br \/><\/em>Narration: Humberto Mar\u00e7al<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<em><br \/><strong>R<\/strong><\/em><strong><em>Rio de Janeiro, Minas Gerais<\/em><\/strong> (Brasil, 1991, 8&#8242;)<em><br \/><\/em>A man recounts an encounter he had, at the age of fourteen, with a strange boy who led him, through the small city of Rio de Janeiro, to find courage.<em><br \/><\/em>Based on an episode of\u00a0<em>Grande Sert\u00e3o: Veredas<\/em>, by Guimar\u00e3es Rosa. The episode narrates the first encounter between Riobaldo and Diadorim.<em><br \/><\/em>Directed by: Marily da Cunha Bezerra<em><br \/><\/em>Elenco: Nanna de Castro, Cristina Ferrantini, Evandro dos Passos Xavier e Paulo de Souze<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 08\/06\/2026 A\u00a0 12\/06\/2026<\/strong><\/p>\n<p><strong>08\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>T<\/em><\/strong><strong><em>Medallion Theory<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>Father and son chat after a birthday dinner for the son, who is turning twenty-one years old.<em><br \/><\/em>The film is based on the short story &quot;Teoria do Medalh\u00e3o&quot; (1881), by Machado de Assis (1839-1908).<em><br \/><\/em><strong>Direction:<\/strong> Mario Vieira da Silva<em><br \/><\/em><strong>Cast:<\/strong> Ney Leontsinis, Pablo Barbosa e Edilene Mello<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>09\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>O<\/em><\/strong><strong><em>\u00a0Court Case<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>Dami\u00e3o needs to convince Dona Rita to dissuade her father from the idea of making him a priest.<em><br \/><\/em>The film is based on the short story of the same name by Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong> Liloye Boubli<em><br \/><\/em><strong>Cast:<\/strong> Juliana Terra, Roberto Monzo, Luis Fernando Brunogeni, Daniele Janu\u00e1rio<em><br \/><\/em><strong>Participa\u00e7\u00e3o Especial:<\/strong> Nat\u00e1lia Corr\u00eaa Nami<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>10\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>U<\/em><\/strong><strong><em>Alcibiades&#039; Visit<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>Joaquim Soares receives an unusual visit from a Greek Olympic hero.<em><br \/><\/em>The film is a loose adaptation of the eponymous short story by Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong> Oct\u00e1vio Bezerra<em><br \/><\/em><strong>Participa\u00e7\u00e3o Especial:<\/strong> Tonico Pereira<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>11\/06\/2025 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>E<\/em><\/strong><strong><em>between Santos<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>Under the moonlight illuminating the church, a priest witnesses astonishing events.<em><br \/><\/em>The film is an adaptation of the eponymous short story by Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong> Helena Lustosa<em><br \/><\/em><strong>Cast:<\/strong> Juliana Terra, Elder Cardozo, Luis Bruno Rezende, Paulo Lamego, Roberto Lopes, Pablo Henrique, Rodrigo Hallvys, Alvaro Machado, Nat\u00e1lia Corr\u00eaa Nami<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>12\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>Some Arms<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>In\u00e1cio, a fifteen-year-old boy, is drawn to the indecently exposed arms of Dona Severina, who is married to a brutish man.<em><br \/><\/em>The film is based on the short story of the same name by Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong> Jom Tob Azulay<em><br \/><\/em><strong>Cast:<\/strong> \u00cdtala Mattos, Lucas Sant\u2019Anna, Ney Leontsinis e Geni Alexandrine<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 15\/06\/2026 A 19\/06\/2026<\/strong><\/p>\n<p><strong>15\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>O<\/em><\/strong><strong><em>\u00a0Nurse<\/em><\/strong> (Brasil, 1999, 23&#8242;)<em><br \/><\/em>O enfermeiro Proc\u00f3pio Valongo deixa o Rio de Janeiro, para ir cuidar de um velho rico e doente que mora numa cidade do interior. O velho tem um comportamento agressivo e intolerante. O enfermeiro resiste a xingamentos e bengaladas, at\u00e9 que um dia\u2026<em><br \/><\/em><strong>Direction:<\/strong> Mauro Farias<em><br \/><\/em><strong>Cast:<\/strong> Matheus Nachtergale, Paulo Autran, Giuseppe Orist\u00e2nee<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>16\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>A<\/em><\/strong><strong><em>\u00a0John Guimar\u00e3es Rosa<\/em><\/strong> (Brasil, 1968, 35&#8242;)<em><br \/><\/em>Images of the backlands of Minas Gerais (human types, geographical aspects, domestic chores) and narrated excerpts from the novel.\u00a0<em>Grande Sert\u00e3o: Veredas<\/em>\u00a0(1956), by the Minas Gerais writer Jo\u00e3o Guimar\u00e3es Rosa (1908-1967).<em><br \/><\/em><strong>Direction:<\/strong> Roberto Santos &amp; Marcelo Tassara<em><br \/><\/em><strong>Narra\u00e7\u00e3o:<\/strong> Humberto Mar\u00e7al<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<em><br \/><strong>F<\/strong><\/em><strong><em>ran\u00e7oise<\/em><\/strong> (Brasil, 2001, 22&#8242;)<em><br \/><\/em>Two lonely individuals, a girl named Fran\u00e7oise and a traveler, meet at a bus station.<em><br \/><\/em>Adaptation of the eponymous short story by Luiz Vilela.<em><br \/><\/em><strong>Direction:<\/strong> Rafael Conde<em><br \/><\/em><strong>Cast:<\/strong> D\u00e9bora Falabella, Fernando Ernesto e Rog\u00e9rio Falabella<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 10 anos.<\/p>\n<p><strong>17\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>I<\/em><\/strong><strong><em>Inventory of the Rapine<\/em><\/strong> (Brasil, 1985, 30&#8242;)<em><br \/><\/em>Using text, narrative, and music by the poet, essayist, and translator Cl\u00e1udio Willer (1940-2023), the film records impressions of Brazil in the first half of the 1980s, and can be defined as an intimate-patriotic drama.<em><br \/><\/em>The autonomous segments are glued together, always with some dissonance between sound and image.<em><br \/><\/em>Among the film&#039;s powerful dialogues, Aloysio Raulino says:\u00a0<em>\u201c&quot;Some dead people are too bothersome. Dead people that nobody wants to know about, nobody wants to see!&quot;\u201d<br \/><\/em><strong>Direction:<\/strong> Aloysio Raulino<em><br \/><\/em><strong>Cast:<\/strong> Tamy Marrachine, Jos\u00e9 Gomes, Tavinho, Mineiro, Piriri, Lia<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 14 anos.<\/p>\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-9419\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-1024x694.jpg\" sizes=\"(max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-1024x694.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-300x203.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-768x520.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-650x440.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1.jpg 1423w\" alt=\"\" width=\"1024\" height=\"694\" \/><\/figure>\n<p><em>A scene from<\/em>\u00a0Inventory of the Plunder<em>.<\/em><\/p>\n<p><strong>18\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>E<\/em><\/strong><strong><em>Pagu, Eh!<\/em><\/strong> (Brasil, 1982, 15&#8242;)<em><br \/><\/em>The film was made at a time when the memory of the writer, journalist and political activist Patr\u00edcia Galv\u00e3o (1910-1962), known as Pagu, was being rediscovered; she had been, until then, in relative obscurity.<em><br \/>Hey Pagu, Hey!<\/em>\u00a0It follows Pagu&#039;s trajectory, offering a generous portrait of the author of\u00a0<em>Industrial park<\/em>\u00a0(Published in 1933, Pagu signed it with the pseudonym Mara Lobo), considered the first Brazilian proletarian novel.<em><br \/><\/em><strong>Direction:<\/strong> Ivo Branco<em><br \/><\/em><strong>Cast:<\/strong> Edith Siqueira, Clodomiro Bacellar, Aldo Bueno e Julio Calasso<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 14 anos<em><br \/><\/em><strong><em>My name is Paulo Leminski<\/em><\/strong> (Brasil, 2004, 5&#8242;)<em><br \/><\/em>A film that could be called\u00a0<em>\u201c&quot;experimental&quot;\u201d<\/em>\u00a0and which preserves, in its form, the irreverence of the poet and writer from Paran\u00e1, Paulo Leminski (1944-1989), and his nonconformity with established standards.<em><br \/><\/em><strong>Direction:<\/strong> Cezar Migliorie<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<\/p>\n<p><strong>19\/06\/2025 \u2013 16 horas<\/strong><\/p>\n<p><em><strong>A<\/strong><\/em><strong><em>They robbed the Grammar<\/em><\/strong> (Brasil, 1984, 12&#8242;)<em><br \/><\/em>The film profiles the poets Francisco Alvim, Paulo Leminski (1944-1989), Waly Salom\u00e3o (1943-2003) and Chacal (pseudonym of Ricardo de Carvalho Duarte), as well as paying homage to the poet Ana Cristina C\u00e9sar (1952-1983).<em><br \/><\/em><strong>Direction:<\/strong> Ana Maria Magalh\u00e3es<em><br \/><\/em><strong>Cast:<\/strong> Perfeito Fortuna, Lu\u00eds Fernando Guimar\u00e3es e Jorge Barr\u00e3o<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<em><br \/><\/em><strong><em>Patativa<\/em><\/strong> (Brasil, 2001, 10&#8242;)<em><br \/><\/em>Aspects of the life and work of the poet Patativa do Assar\u00e9 (1909-2002), one of the greatest names in Northeastern Brazilian popular culture.<em><br \/><\/em><strong>Direction:<\/strong> \u00cdtalo Maia<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 22\/06\/2026 A\u00a0 26\/06\/2026<\/strong><\/p>\n<p><strong>22\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>G<\/em><\/strong><strong><em>Flying Eraldo<\/em><\/strong> (Brasil, 1994, 11&#8242;)<em><br \/><\/em>A boy from the favela with a special gift ends up getting involved with drug traffickers.<em><br \/><\/em>Based on the works of American comic book artist Will Eisner (1917-2005).<em><br \/><\/em><strong>Direction:<\/strong> Bruno Vianna.<em><br \/><\/em><strong>Cast:<\/strong> Robson dos Santos, Bruno Garcia, Renato Pinheiro, Maria Gladys, Helena Ignee<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 14 anos.<strong><em><br \/>C<\/em><\/strong><strong><em>Landestine Happiness<\/em><\/strong> (Brasil, 1998, 14&#8242;)<em><br \/><\/em>The childhood of the writer Clarice Lispector (1920-1977), highlighting her love for animals and her passion for books.<em><br \/><\/em>The film brings together some stories\/chronicles from his childhood in the city of Recife, in the 1920s.<em><br \/><\/em><strong>Direction:<\/strong> Marcelo Gomes &amp; Beto Normal<em><br \/><\/em><strong>Cast:<\/strong> Luisa Phebo, Nathalia Corintha, Germano Haiut, Sarah Hazin e Isabel Brito<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<\/p>\n<p><strong>23\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>V<\/em><\/strong><em><strong>Dry Trips<\/strong><\/em> (Brasil, 1963, 103\u2019)<em><br \/><\/em>O filme mostra a jornada de uma fam\u00edlia de retirantes \u2013 Fabiano, Sinh\u00e1 Vit\u00f3ria, os dois filhos e a cachorra Baleia \u2013 que foge da seca no sert\u00e3o nordestino em busca de sobreviv\u00eancia.<em><br \/><\/em>O filme, integrante da primeira fase do Cinema Novo, \u00e9 baseado no romance hom\u00f4nimo de Graciliano Ramos (1892-1953).<em><br \/><\/em><strong>Direction:<\/strong> Nelson Pereira dos Santos<em><br \/><\/em><strong>Cast:<\/strong> \u00c1tila I\u00f3rio, Maria Ribeiro, Jofre Soares, Genivaldo Lima, Gilvan Lima, Orlando Macedo, Pedro Santos, Maria Rosa, a cadela Baleia<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 12 anos.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:image {\"id\":11291,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} --><\/p>\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"567\" class=\"wp-image-11291\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1024x567.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1024x567.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-300x166.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-768x425.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1536x851.jpg 1536w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-2048x1134.jpg 2048w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-18x10.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-650x360.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1320x731.jpg 1320w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<p><!-- \/wp:image --><!-- wp:paragraph --><\/p>\n<p><em>A scene from<\/em> Vidas Secas<em>, mostrando \u00c1tila I\u00f3rio, Maria Ribeiro e a cadela Baleia.<\/em><\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p><strong>24\/06\/ 2026 \u2013 16 horas<em><br \/>Macuna\u00edma<\/em><\/strong> (Brasil, 1969, 105\u2019)<em><br \/>Macuna\u00edma<\/em> narra a hist\u00f3ria de um anti-her\u00f3i, ou melhor, <em>\u201cum her\u00f3i sem nenhum car\u00e1ter\u201d<\/em>, nascido no fundo da mata virgem. De preto ele vira branco, ao passar por uma fonte milagrosa, e troca a mata pela cidade, onde vive incr\u00edveis aventuras, acompanhado de seus irm\u00e3os. Na cidade, nosso <em>\u201cher\u00f3i\u201d<\/em>, segue um caminho surreal, conhecendo e amando a guerrilheira Ci e enfrentando o vil\u00e3o milion\u00e1rio antropof\u00e1gico Venceslau Pietro Pietra.<em><br \/><\/em>Um dos \u00faltimos representantes do Cinema Novo, o filme \u00e9 uma adapta\u00e7\u00e3o do romance Modernista hom\u00f4nimo de M\u00e1rio de Andrade (1893-1945).<em><br \/><\/em><strong>Direction:<\/strong> Joaquim Pedro de Andrade<em><br \/><\/em><strong>Cast:<\/strong> Grande Otelo, Paulo Jos\u00e9, Dina Sfat, Jardel Filho, Milton Gon\u00e7alves, Rodolfo Arena, Joana Fomm<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 14 anos.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:image {\"id\":11292,\"sizeSlug\":\"full\",\"linkDestination\":\"none\"} --><\/p>\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" width=\"976\" height=\"549\" class=\"wp-image-11292\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2.jpg 976w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-300x169.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-768x432.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-18x10.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-650x366.jpg 650w\" sizes=\"(max-width: 976px) 100vw, 976px\" \/><\/figure>\n<p><!-- \/wp:image --><!-- wp:paragraph --><\/p>\n<p><em>Grande Otelo (pseud\u00f4nimo art\u00edstico de Sebasti\u00e3o Bernardes de Souza Prata, 1915-1993), numa cena de<\/em> Macuna\u00edma<em>.<\/em><\/p>\n<p><strong>25\/06\/2026 \u2013 16 horas<\/strong><em><strong><br \/>Saint Bernard<\/strong><\/em> (Brasil, 1972, 114\u2019)<em><br \/><\/em>Paulo Hon\u00f3rio, a humble traveling salesman, manages to become a prosperous farmer by resorting to violent methods. He acquires the S\u00e3o Bernardo farm and marries Madalena, the enlightened schoolteacher from the city. Then, conflict arises when Madalena refuses to be treated as Paulo Hon\u00f3rio&#039;s property.<em><br \/><\/em>Filme baseado no romance hom\u00f4nimo de Graciliano Ramos.<em><br \/><\/em><strong>Direction:<\/strong> Leon Hirszman<em><br \/><\/em><strong>Cast:<\/strong> Othon Bastos, Isabel Ribeiro, Rodolfo Arena, Vanda Lacerda, M\u00e1rio Lago, Nildo Parente, Jofre Soares<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 10 anos.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:image {\"id\":11293,\"sizeSlug\":\"full\",\"linkDestination\":\"none\"} --><\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"986\" height=\"590\" class=\"wp-image-11293\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3.jpg 986w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-300x180.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-768x460.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-18x12.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-650x389.jpg 650w\" sizes=\"(max-width: 986px) 100vw, 986px\" \/><\/figure>\n<p><!-- \/wp:image --><!-- wp:paragraph --><\/p>\n<p><em>Othon Bastos, interpretando Paulo Hon\u00f3rio, em <\/em>Saint Bernard<em>.<\/em><\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p><strong>26\/06\/2026 \u2013 16 horas<em><br \/>The Hour of the Star<\/em><\/strong> (Brasil, 1985, 96\u2019)<em><br \/><\/em>Aos dezenove anos de idade, Macab\u00e9a, uma jovem \u00f3rf\u00e3, s\u00f3 no mundo, vem do Nordeste tentar a vida na cidade de S\u00e3o Paulo. Ent\u00e3o, acontece-lhe diversas perip\u00e9cias, que servem para mostrar um melodrama social.<em><br \/><\/em><em>The Hour of the Star<\/em> \u00e9 uma bem-sucedidas adapta\u00e7\u00e3o do romance hom\u00f4nimo de Clarice Lispector (nascida Chaya Pinkhasivna Lispector, 1920-1977).<em><br \/><\/em><strong>Direction:<\/strong> Suzana Amaral<em><br \/><\/em><strong>Cast:<\/strong> Marc\u00e9lia Cartaxo, Jos\u00e9 Dumont, Tamara Taxman, Fernanda Montenegro, Denoy de Oliveira, Lizete Negreiros, Umberto Magnani, Claudia Resende, Maria do Carmo Soares<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 12 anos.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:image {\"id\":11294,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} --><\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" class=\"wp-image-11294\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-1024x640.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-1024x640.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-300x187.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-768x480.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-18x12.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-650x406.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4.jpg 1194w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<p><!-- \/wp:image --><!-- wp:paragraph --><\/p>\n<p><em>Jos\u00e9 Dumont e Marc\u00e9lia Cartaxo, numa cena de<\/em> The Hour of the Star<em>.<\/em><\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 29\/06\/2026 A\u00a0 03\/07\/2026<\/strong><\/p>\n<p><strong>29\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>T<\/em><\/strong><strong><em>Medallion Theory<\/em><\/strong>\u00a0(Brasil, 2009, 23\u2032)<em><br \/><\/em>Father and son chat after a birthday dinner for the son, who is turning twenty-one years old.<em><br \/><\/em>The film is based on the short story &quot;Teoria do Medalh\u00e3o&quot; (1881), by Machado de Assis (1839-1908).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Mario Vieira da Silva<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Ney Leontsinis, Pablo Barbosa e Edilene Mello<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>30\/06\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>O<\/em><\/strong><strong><em>\u00a0Court Case<\/em><\/strong>\u00a0(Brasil, 2009, 23\u2032)<em><br \/><\/em>Dami\u00e3o needs to convince Dona Rita to dissuade her father from the idea of making him a priest.<em><br \/><\/em>The film is based on the short story of the same name by Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Liloye Boubli<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Juliana Terra, Roberto Monzo, Luis Fernando Brunogeni, Daniele Janu\u00e1rio<em><br \/><\/em><strong>Participa\u00e7\u00e3o Especial:<\/strong>\u00a0Nat\u00e1lia Corr\u00eaa Nami<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>1\u00ba\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>U<\/em><\/strong><strong><em>Alcibiades&#039; Visit<\/em><\/strong>\u00a0(Brasil, 2009, 23\u2032)<em><br \/><\/em>Joaquim Soares receives an unusual visit from a Greek Olympic hero.<em><br \/><\/em>The film is a loose adaptation of the eponymous short story by Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Oct\u00e1vio Bezerra<em><br \/><\/em><strong>Participa\u00e7\u00e3o Especial:<\/strong>\u00a0Tonico Pereira<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>02\/07\/2025 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>E<\/em><\/strong><strong><em>between Santos<\/em><\/strong>\u00a0(Brasil, 2009, 23\u2032)<em><br \/><\/em>Under the moonlight illuminating the church, a priest witnesses astonishing events.<em><br \/><\/em>The film is an adaptation of the eponymous short story by Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Helena Lustosa<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Juliana Terra, Elder Cardozo, Luis Bruno Rezende, Paulo Lamego, Roberto Lopes, Pablo Henrique, Rodrigo Hallvys, Alvaro Machado, Nat\u00e1lia Corr\u00eaa Nami<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>03\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>Some Arms<\/em><\/strong>\u00a0(Brasil, 2009, 23\u2032)<em><br \/><\/em>In\u00e1cio, a fifteen-year-old boy, is drawn to the indecently exposed arms of Dona Severina, who is married to a brutish man.<em><br \/><\/em>The film is based on the short story of the same name by Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Jom Tob Azulay<em><br \/><\/em><strong>Cast:<\/strong>\u00a0\u00cdtala Mattos, Lucas Sant\u2019Anna, Ney Leontsinis e Geni Alexandrine<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 06\/07\/2026 A 10\/07\/2026<\/strong><\/p>\n<p><strong>06\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>O<\/em><\/strong><strong><em>\u00a0Nurse<\/em><\/strong>\u00a0(Brasil, 1999, 23\u2032)<em><br \/><\/em>O enfermeiro Proc\u00f3pio Valongo deixa o Rio de Janeiro, para ir cuidar de um velho rico e doente que mora numa cidade do interior. O velho tem um comportamento agressivo e intolerante. O enfermeiro resiste a xingamentos e bengaladas, at\u00e9 que um dia\u2026<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Mauro Farias<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Matheus Nachtergale, Paulo Autran, Giuseppe Orist\u00e2nee<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>06\/07\/2026 \u2013 19h30<\/strong><\/p>\n<p><em><strong>Ferr\u00e9z, Literatura e Resist\u00eancia\u00a0<\/strong><\/em>(Brasil, 2009, 57\u2019)<strong><em><br \/>F<\/em><\/strong><strong><em>err\u00e9z, Literatura e Resist\u00eancia<\/em><\/strong>\u00a0\u00e9 um curta-metragem que explora a obra e as ideias do escritor,\u00a0<em>rapper<\/em>, cantor e empreendedor Ferr\u00e9z (nome art\u00edstico de Reginaldo Ferreira da Silva), morador do Cap\u00e3o Redondo, um distrito da cidade de S\u00e3o Paulo.<em><br \/><\/em>O filme aborda o ativismo de Ferr\u00e9z e o movimento de literatura marginal, que espalha a cultura pelas periferias brasileiras.<em><br \/><\/em><strong>Direction:<\/strong> Ferr\u00e9z<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12229\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/07\/2-1024x718.jpg\" sizes=\"(max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/07\/2-1024x718.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/07\/2-300x210.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/07\/2-768x539.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/07\/2-18x12.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/07\/2-650x456.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/07\/2.jpg 1165w\" alt=\"\" width=\"1024\" height=\"718\" \/><\/figure>\n<p><strong>07\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>A<\/em><\/strong><strong><em>\u00a0John Guimar\u00e3es Rosa<\/em><\/strong>\u00a0(Brasil, 1968, 35\u2032)<em><br \/><\/em>Images of the backlands of Minas Gerais (human types, geographical aspects, domestic chores) and narrated excerpts from the novel.\u00a0<em>Grande Sert\u00e3o: Veredas<\/em>\u00a0(1956), by the Minas Gerais writer Jo\u00e3o Guimar\u00e3es Rosa (1908-1967).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Roberto Santos &amp; Marcelo Tassara<em><br \/><\/em><strong>Narra\u00e7\u00e3o:<\/strong>\u00a0Humberto Mar\u00e7al<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<em><br \/><strong>F<\/strong><\/em><strong><em>ran\u00e7oise<\/em><\/strong>\u00a0(Brasil, 2001, 22\u2032)<em><br \/><\/em>Two lonely individuals, a girl named Fran\u00e7oise and a traveler, meet at a bus station.<em><br \/><\/em>Adaptation of the eponymous short story by Luiz Vilela.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Rafael Conde<em><br \/><\/em><strong>Cast:<\/strong>\u00a0D\u00e9bora Falabella, Fernando Ernesto e Rog\u00e9rio Falabella<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 10 anos.<\/p>\n<p><strong>08\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>I<\/em><\/strong><strong><em>Inventory of the Rapine<\/em><\/strong>\u00a0(Brasil, 1985, 30\u2032)<em><br \/><\/em>Using text, narrative, and music by the poet, essayist, and translator Cl\u00e1udio Willer (1940-2023), the film records impressions of Brazil in the first half of the 1980s, and can be defined as an intimate-patriotic drama.<em><br \/><\/em>The autonomous segments are glued together, always with some dissonance between sound and image.<em><br \/><\/em>Among the film&#039;s powerful dialogues, Aloysio Raulino says:\u00a0<em>\u201c&quot;Some dead people are too bothersome. Dead people that nobody wants to know about, nobody wants to see!&quot;\u201d<br \/><\/em><strong>Direction:<\/strong>\u00a0Aloysio Raulino<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Tamy Marrachine, Jos\u00e9 Gomes, Tavinho, Mineiro, Piriri, Lia<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 14 anos.<\/p>\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-9419\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-1024x694.jpg\" sizes=\"(max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-1024x694.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-300x203.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-768x520.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1-650x440.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2025\/09\/literatura-1-1.jpg 1423w\" alt=\"\" width=\"1024\" height=\"694\" \/><\/figure>\n<p><em>A scene from<\/em>\u00a0Inventory of the Plunder<em>.<\/em><\/p>\n<p><strong>09\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>E<\/em><\/strong><strong><em>Pagu, Eh!<\/em><\/strong>\u00a0(Brasil, 1982, 15\u2032)<em><br \/><\/em>The film was made at a time when the memory of the writer, journalist and political activist Patr\u00edcia Galv\u00e3o (1910-1962), known as Pagu, was being rediscovered; she had been, until then, in relative obscurity.<em><br \/>Hey Pagu, Hey!<\/em>\u00a0It follows Pagu&#039;s trajectory, offering a generous portrait of the author of\u00a0<em>Industrial park<\/em>\u00a0(Published in 1933, Pagu signed it with the pseudonym Mara Lobo), considered the first Brazilian proletarian novel.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Ivo Branco<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Edith Siqueira, Clodomiro Bacellar, Aldo Bueno e Julio Calasso<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 14 anos<em><br \/><\/em><strong><em>My name is Paulo Leminski<\/em><\/strong>\u00a0(Brasil, 2004, 5\u2032)<em><br \/><\/em>A film that could be called\u00a0<em>\u201c&quot;experimental&quot;\u201d<\/em>\u00a0and which preserves, in its form, the irreverence of the poet and writer from Paran\u00e1, Paulo Leminski (1944-1989), and his nonconformity with established standards.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Cezar Migliorie<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<\/p>\n<p><strong>10\/07\/2025 \u2013 16 horas<\/strong><\/p>\n<p><em><strong>A<\/strong><\/em><strong><em>They robbed the Grammar<\/em><\/strong>\u00a0(Brasil, 1984, 12\u2032)<em><br \/><\/em>The film profiles the poets Francisco Alvim, Paulo Leminski (1944-1989), Waly Salom\u00e3o (1943-2003) and Chacal (pseudonym of Ricardo de Carvalho Duarte), as well as paying homage to the poet Ana Cristina C\u00e9sar (1952-1983).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Ana Maria Magalh\u00e3es<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Perfeito Fortuna, Lu\u00eds Fernando Guimar\u00e3es e Jorge Barr\u00e3o<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<em><br \/><\/em><strong><em>Patativa<\/em><\/strong>\u00a0(Brasil, 2001, 10\u2032)<em><br \/><\/em>Aspects of the life and work of the poet Patativa do Assar\u00e9 (1909-2002), one of the greatest names in Northeastern Brazilian popular culture.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0\u00cdtalo Maia<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 13\/07\/2026 A\u00a0 17\/07\/2026<\/strong><\/p>\n<p><strong>13\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>G<\/em><\/strong><strong><em>Flying Eraldo<\/em><\/strong>\u00a0(Brasil, 1994, 11\u2032)<em><br \/><\/em>A boy from the favela with a special gift ends up getting involved with drug traffickers.<em><br \/><\/em>Based on the works of American comic book artist Will Eisner (1917-2005).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Bruno Vianna.<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Robson dos Santos, Bruno Garcia, Renato Pinheiro, Maria Gladys, Helena Ignee<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 14 anos.<strong><em><br \/>C<\/em><\/strong><strong><em>Landestine Happiness<\/em><\/strong>\u00a0(Brasil, 1998, 14\u2032)<em><br \/><\/em>The childhood of the writer Clarice Lispector (1920-1977), highlighting her love for animals and her passion for books.<em><br \/><\/em>The film brings together some stories\/chronicles from his childhood in the city of Recife, in the 1920s.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Marcelo Gomes &amp; Beto Normal<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Luisa Phebo, Nathalia Corintha, Germano Haiut, Sarah Hazin e Isabel Brito<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<\/p>\n<p><strong>14\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>V<\/em><\/strong><em><strong>Dry Trips<\/strong><\/em>\u00a0(Brasil, 1963, 103\u2019)<em><br \/><\/em>O filme mostra a jornada de uma fam\u00edlia de retirantes \u2013 Fabiano, Sinh\u00e1 Vit\u00f3ria, os dois filhos e a cachorra Baleia \u2013 que foge da seca no sert\u00e3o nordestino em busca de sobreviv\u00eancia.<em><br \/><\/em>O filme, integrante da primeira fase do Cinema Novo, \u00e9 baseado no romance hom\u00f4nimo de Graciliano Ramos (1892-1953).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Nelson Pereira dos Santos<em><br \/><\/em><strong>Cast:<\/strong>\u00a0\u00c1tila I\u00f3rio, Maria Ribeiro, Jofre Soares, Genivaldo Lima, Gilvan Lima, Orlando Macedo, Pedro Santos, Maria Rosa, a cadela Baleia<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 12 anos.<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11291\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1024x567.jpg\" sizes=\"(max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1024x567.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-300x166.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-768x425.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1536x851.jpg 1536w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-2048x1134.jpg 2048w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-18x10.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-650x360.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1320x731.jpg 1320w\" alt=\"\" width=\"1024\" height=\"567\" \/><\/figure>\n<p><em>A scene from<\/em>\u00a0Vidas Secas<em>, mostrando \u00c1tila I\u00f3rio, Maria Ribeiro e a cadela Baleia.<\/em><\/p>\n<p><strong>15\/07\/ 2026 \u2013 16 horas<em><br \/>Macuna\u00edma<\/em><\/strong>\u00a0(Brasil, 1969, 105\u2019)<em><br \/>Macuna\u00edma<\/em>\u00a0narra a hist\u00f3ria de um anti-her\u00f3i, ou melhor,\u00a0<em>\u201cum her\u00f3i sem nenhum car\u00e1ter\u201d<\/em>, nascido no fundo da mata virgem. De preto ele vira branco, ao passar por uma fonte milagrosa, e troca a mata pela cidade, onde vive incr\u00edveis aventuras, acompanhado de seus irm\u00e3os. Na cidade, nosso\u00a0<em>\u201cher\u00f3i\u201d<\/em>, segue um caminho surreal, conhecendo e amando a guerrilheira Ci e enfrentando o vil\u00e3o milion\u00e1rio antropof\u00e1gico Venceslau Pietro Pietra.<em><br \/><\/em>Um dos \u00faltimos representantes do Cinema Novo, o filme \u00e9 uma adapta\u00e7\u00e3o do romance Modernista hom\u00f4nimo de M\u00e1rio de Andrade (1893-1945).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Joaquim Pedro de Andrade<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Grande Otelo, Paulo Jos\u00e9, Dina Sfat, Jardel Filho, Milton Gon\u00e7alves, Rodolfo Arena, Joana Fomm<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 14 anos.<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11292\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2.jpg\" sizes=\"(max-width: 976px) 100vw, 976px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2.jpg 976w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-300x169.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-768x432.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-18x10.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-650x366.jpg 650w\" alt=\"\" width=\"976\" height=\"549\" \/><\/figure>\n<p><em>Grande Otelo (pseud\u00f4nimo art\u00edstico de Sebasti\u00e3o Bernardes de Souza Prata, 1915-1993), numa cena de<\/em>\u00a0Macuna\u00edma<em>.<\/em><\/p>\n<p><strong>16\/07\/2026 \u2013 16 horas<\/strong><em><strong><br \/>Saint Bernard<\/strong><\/em>\u00a0(Brasil, 1972, 114\u2019)<em><br \/><\/em>Paulo Hon\u00f3rio, a humble traveling salesman, manages to become a prosperous farmer by resorting to violent methods. He acquires the S\u00e3o Bernardo farm and marries Madalena, the enlightened schoolteacher from the city. Then, conflict arises when Madalena refuses to be treated as Paulo Hon\u00f3rio&#039;s property.<em><br \/><\/em>Filme baseado no romance hom\u00f4nimo de Graciliano Ramos.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Leon Hirszman<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Othon Bastos, Isabel Ribeiro, Rodolfo Arena, Vanda Lacerda, M\u00e1rio Lago, Nildo Parente, Jofre Soares<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 10 anos.<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11293\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3.jpg\" sizes=\"(max-width: 986px) 100vw, 986px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3.jpg 986w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-300x180.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-768x460.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-18x12.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-650x389.jpg 650w\" alt=\"\" width=\"986\" height=\"590\" \/><\/figure>\n<p><em>Othon Bastos, interpretando Paulo Hon\u00f3rio, em\u00a0<\/em>Saint Bernard<em>.<\/em><\/p>\n<p><strong>17\/07\/2026 \u2013 16 horas<em><br \/>The Hour of the Star<\/em><\/strong>\u00a0(Brasil, 1985, 96\u2019)<em><br \/><\/em>Aos dezenove anos de idade, Macab\u00e9a, uma jovem \u00f3rf\u00e3, s\u00f3 no mundo, vem do Nordeste tentar a vida na cidade de S\u00e3o Paulo. Ent\u00e3o, acontece-lhe diversas perip\u00e9cias, que servem para mostrar um melodrama social.<em><br \/><\/em><em>The Hour of the Star<\/em>\u00a0\u00e9 uma bem-sucedidas adapta\u00e7\u00e3o do romance hom\u00f4nimo de Clarice Lispector (nascida Chaya Pinkhasivna Lispector, 1920-1977).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Suzana Amaral<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Marc\u00e9lia Cartaxo, Jos\u00e9 Dumont, Tamara Taxman, Fernanda Montenegro, Denoy de Oliveira, Lizete Negreiros, Umberto Magnani, Claudia Resende, Maria do Carmo Soares<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 12 anos.<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11294\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-1024x640.jpg\" sizes=\"(max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-1024x640.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-300x187.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-768x480.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-18x12.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-650x406.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4.jpg 1194w\" alt=\"\" width=\"1024\" height=\"640\" \/><\/figure>\n<p><em>Jos\u00e9 Dumont e Marc\u00e9lia Cartaxo, numa cena de<\/em>\u00a0The Hour of the Star<em>.\u00a0<\/em><\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 20\/07\/2026 A\u00a0 24\/07\/2026<\/strong><\/p>\n<p><strong>20\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>T<\/em><\/strong><strong><em>Medallion Theory<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>Father and son chat after a birthday dinner for the son, who is turning twenty-one years old.<em><br \/><\/em>The film is based on the short story &quot;Teoria do Medalh\u00e3o&quot; (1881), by Machado de Assis (1839-1908).<em><br \/><\/em><strong>Direction:<\/strong> Mario Vieira da Silva<em><br \/><\/em><strong>Cast:<\/strong> Ney Leontsinis, Pablo Barbosa e Edilene Mello<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>21\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>O<\/em><\/strong><strong><em>\u00a0Court Case<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>Dami\u00e3o needs to convince Dona Rita to dissuade her father from the idea of making him a priest.<em><br \/><\/em>The film is based on the short story of the same name by Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong> Liloye Boubli<em><br \/><\/em><strong>Cast:<\/strong> Juliana Terra, Roberto Monzo, Luis Fernando Brunogeni, Daniele Janu\u00e1rio<em><br \/><\/em><strong>Participa\u00e7\u00e3o Especial:<\/strong> Nat\u00e1lia Corr\u00eaa Nami<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>22\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>U<\/em><\/strong><strong><em>Alcibiades&#039; Visit<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>Joaquim Soares receives an unusual visit from a Greek Olympic hero.<em><br \/><\/em>The film is a loose adaptation of the eponymous short story by Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong> Oct\u00e1vio Bezerra<em><br \/><\/em><strong>Participa\u00e7\u00e3o Especial:<\/strong> Tonico Pereira<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>23\/07\/2025 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>E<\/em><\/strong><strong><em>between Santos<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>Under the moonlight illuminating the church, a priest witnesses astonishing events.<em><br \/><\/em>The film is an adaptation of the eponymous short story by Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong> Helena Lustosa<em><br \/><\/em><strong>Cast:<\/strong> Juliana Terra, Elder Cardozo, Luis Bruno Rezende, Paulo Lamego, Roberto Lopes, Pablo Henrique, Rodrigo Hallvys, Alvaro Machado, Nat\u00e1lia Corr\u00eaa Nami<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>24\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>Some Arms<\/em><\/strong> (Brasil, 2009, 23&#8242;)<em><br \/><\/em>In\u00e1cio, a fifteen-year-old boy, is drawn to the indecently exposed arms of Dona Severina, who is married to a brutish man.<em><br \/><\/em>The film is based on the short story of the same name by Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong> Jom Tob Azulay<em><br \/><\/em><strong>Cast:<\/strong> \u00cdtala Mattos, Lucas Sant\u2019Anna, Ney Leontsinis e Geni Alexandrine<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 27\/07\/2026 A\u00a0 31\/07\/2026<\/strong><\/p>\n<p><strong>27\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>G<\/em><\/strong><strong><em>Flying Eraldo<\/em><\/strong>\u00a0(Brasil, 1994, 11\u2032)<em><br \/><\/em>A boy from the favela with a special gift ends up getting involved with drug traffickers.<em><br \/><\/em>Based on the works of American comic book artist Will Eisner (1917-2005).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Bruno Vianna.<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Robson dos Santos, Bruno Garcia, Renato Pinheiro, Maria Gladys, Helena Ignee<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 14 anos.<strong><em><br \/>C<\/em><\/strong><strong><em>Landestine Happiness<\/em><\/strong>\u00a0(Brasil, 1998, 14\u2032)<em><br \/><\/em>The childhood of the writer Clarice Lispector (1920-1977), highlighting her love for animals and her passion for books.<em><br \/><\/em>The film brings together some stories\/chronicles from his childhood in the city of Recife, in the 1920s.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Marcelo Gomes &amp; Beto Normal<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Luisa Phebo, Nathalia Corintha, Germano Haiut, Sarah Hazin e Isabel Brito<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa livre.<\/p>\n<p><em>\u00a0<\/em><strong>28 de julho de 2026 \u2013 16 horas<\/strong><em><strong><br \/>Saint Bernard<\/strong><\/em> (1972, 114\u2019)<em><br \/><\/em>Paulo Hon\u00f3rio, a humble traveling salesman, manages to become a prosperous farmer by resorting to violent methods. He acquires the S\u00e3o Bernardo farm and marries Madalena, the enlightened schoolteacher from the city. Then, conflict arises when Madalena refuses to be treated as Paulo Hon\u00f3rio&#039;s property.<em><br \/><\/em>Filme baseado no romance hom\u00f4nimo de Graciliano Ramos.<em><br \/><\/em><strong>Direction:<\/strong> Leon Hirszman<em><br \/><\/em><strong>Cast:<\/strong> Othon Bastos, Isabel Ribeiro, Rodolfo Arena, Vanda Lacerda, M\u00e1rio Lago, Nildo Parente, Jofre Soarea<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 10 anos.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p><!-- \/wp:paragraph --><!-- wp:image {\"id\":11293,\"sizeSlug\":\"full\",\"linkDestination\":\"none\"} --><\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"986\" height=\"590\" class=\"wp-image-11293\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3.jpg 986w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-300x180.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-768x460.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-18x12.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/3-650x389.jpg 650w\" sizes=\"(max-width: 986px) 100vw, 986px\" \/><\/figure>\n<p><!-- \/wp:image --><!-- wp:paragraph --><\/p>\n<p><em>Othon Bastos, interpretando Paulo Hon\u00f3rio, em <\/em>S\u00e3o Bernardo.<\/p>\n<p><strong>29\/07\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>V<\/em><\/strong><em><strong>Dry Trips<\/strong><\/em>\u00a0(Brasil, 1963, 103\u2019)<em><br \/><\/em>O filme mostra a jornada de uma fam\u00edlia de retirantes \u2013 Fabiano, Sinh\u00e1 Vit\u00f3ria, os dois filhos e a cachorra Baleia \u2013 que foge da seca no sert\u00e3o nordestino em busca de sobreviv\u00eancia.<em><br \/><\/em>O filme, integrante da primeira fase do Cinema Novo, \u00e9 baseado no romance hom\u00f4nimo de Graciliano Ramos (1892-1953).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Nelson Pereira dos Santos<em><br \/><\/em><strong>Cast:<\/strong>\u00a0\u00c1tila I\u00f3rio, Maria Ribeiro, Jofre Soares, Genivaldo Lima, Gilvan Lima, Orlando Macedo, Pedro Santos, Maria Rosa, a cadela Baleia<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 12 anos.<\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11291\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1024x567.jpg\" sizes=\"(max-width: 1024px) 100vw, 1024px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1024x567.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-300x166.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-768x425.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1536x851.jpg 1536w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-2048x1134.jpg 2048w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-18x10.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-650x360.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/1-1320x731.jpg 1320w\" alt=\"\" width=\"1024\" height=\"567\" \/><\/figure>\n<p><em>A scene from<\/em>\u00a0Vidas Secas<em>, mostrando \u00c1tila I\u00f3rio, Maria Ribeiro e a cadela Baleia.<\/em><\/p>\n<p><strong>30\/07\/ 2026 \u2013 16 horas<em><br \/>Macuna\u00edma<\/em><\/strong>\u00a0(Brasil, 1969, 105\u2019)<em><br \/>Macuna\u00edma<\/em>\u00a0narra a hist\u00f3ria de um anti-her\u00f3i, ou melhor,\u00a0<em>\u201cum her\u00f3i sem nenhum car\u00e1ter\u201d<\/em>, nascido no fundo da mata virgem. De preto ele vira branco, ao passar por uma fonte milagrosa, e troca a mata pela cidade, onde vive incr\u00edveis aventuras, acompanhado de seus irm\u00e3os. Na cidade, nosso\u00a0<em>\u201cher\u00f3i\u201d<\/em>, segue um caminho surreal, conhecendo e amando a guerrilheira Ci e enfrentando o vil\u00e3o milion\u00e1rio antropof\u00e1gico Venceslau Pietro Pietra.<em><br \/><\/em>Um dos \u00faltimos representantes do Cinema Novo, o filme \u00e9 uma adapta\u00e7\u00e3o do romance Modernista hom\u00f4nimo de M\u00e1rio de Andrade (1893-1945).<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Joaquim Pedro de Andrade<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Grande Otelo, Paulo Jos\u00e9, Dina Sfat, Jardel Filho, Milton Gon\u00e7alves, Rodolfo Arena, Joana Fomm<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 de 14 anos.<\/p>\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11292\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2.jpg\" sizes=\"(max-width: 976px) 100vw, 976px\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2.jpg 976w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-300x169.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-768x432.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-18x10.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/2-650x366.jpg 650w\" alt=\"\" width=\"976\" height=\"549\" \/><\/figure>\n<p><em>Grande Otelo (pseud\u00f4nimo art\u00edstico de Sebasti\u00e3o Bernardes de Souza Prata, 1915-1993), numa cena de<\/em>\u00a0Macuna\u00edma<em>.<\/em><\/p>\n<p><strong>PROGRAMA\u00c7\u00c3O DA SEMANA DE 03\/08\/2026 A\u00a0 07\/08\/2026<\/strong><\/p>\n<p><strong>03\/08\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>E<\/em><\/strong><strong><em>Pagu, Eh!<\/em><\/strong>\u00a0(Brasil, 1982, 15\u2032)<em><br \/><\/em>The film was made at a time when the memory of the writer, journalist and political activist Patr\u00edcia Galv\u00e3o (1910-1962), known as Pagu, was being rediscovered; she had been, until then, in relative obscurity.<em><br \/>Hey Pagu, Hey!<\/em>\u00a0It follows Pagu&#039;s trajectory, offering a generous portrait of the author of\u00a0<em>Industrial park<\/em>\u00a0(Published in 1933, Pagu signed it with the pseudonym Mara Lobo), considered the first Brazilian proletarian novel.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Ivo Branco<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Edith Siqueira, Clodomiro Bacellar, Aldo Bueno e Julio Calasso<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 14 anos<em><br \/><\/em><strong><em>My name is Paulo Leminski<\/em><\/strong>\u00a0(Brasil, 2004, 5\u2032)<em><br \/><\/em>A film that could be called\u00a0<em>\u201c&quot;experimental&quot;\u201d<\/em>\u00a0and which preserves, in its form, the irreverence of the poet and writer from Paran\u00e1, Paulo Leminski (1944-1989), and his nonconformity with established standards.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Cezar Migliorie<em><br \/><\/em>Este filme tem classifica\u00e7\u00e3o indicativa de 12 anos.<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:paragraph --><\/p>\n<p><strong>04\/08\/2026 \u2013 19h30<em><br \/>The Hour of the Star<\/em><\/strong> (1985, 96\u2019)<em><br \/><\/em>Aos dezenove anos de idade, Macab\u00e9a, uma jovem \u00f3rf\u00e3, s\u00f3 no mundo, vem do Nordeste tentar a vida na cidade de S\u00e3o Paulo. Ent\u00e3o, acontece-lhe diversas perip\u00e9cias, que servem para mostrar um melodrama social.<em><br \/><\/em><em>The Hour of the Star<\/em> \u00e9 uma bem-sucedidas adapta\u00e7\u00e3o do romance hom\u00f4nimo de Clarice Lispector (nascida Chaya Pinkhasivna Lispector, 1920-1977).<em><br \/><\/em><strong>Direction:<\/strong> Suzana Amaral<em><br \/><\/em><strong>Cast:<\/strong> Marc\u00e9lia Cartaxo, Jos\u00e9 Dumont, Tamara Taxman, Fernanda Montenegro, Denoy de Oliveira, Lizete Negreiros, Umberto Magnani, Claudia Resende, Maria do Carmo Soares<\/p>\n<p><!-- \/wp:paragraph --><!-- wp:image {\"id\":11294,\"sizeSlug\":\"large\",\"linkDestination\":\"none\"} --><\/p>\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"640\" class=\"wp-image-11294\" src=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-1024x640.jpg\" alt=\"\" srcset=\"https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-1024x640.jpg 1024w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-300x187.jpg 300w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-768x480.jpg 768w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-18x12.jpg 18w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4-650x406.jpg 650w, https:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/4.jpg 1194w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<p><!-- \/wp:image --><!-- wp:paragraph --><\/p>\n<p><em>Jos\u00e9 Dumont e Marc\u00e9lia Cartaxo, numa cena de<\/em> The Hour of the Star<em>.\u00a0<\/em><\/p>\n<p><strong>05\/08\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>O<\/em><\/strong><strong><em>\u00a0Nurse<\/em><\/strong>\u00a0(Brasil, 1999, 23\u2032)<em><br \/><\/em>O enfermeiro Proc\u00f3pio Valongo deixa o Rio de Janeiro, para ir cuidar de um velho rico e doente que mora numa cidade do interior. O velho tem um comportamento agressivo e intolerante. O enfermeiro resiste a xingamentos e bengaladas, at\u00e9 que um dia\u2026<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Mauro Farias<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Matheus Nachtergale, Paulo Autran, Giuseppe Orist\u00e2nee<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>06\/08\/2025 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>E<\/em><\/strong><strong><em>between Santos<\/em><\/strong>\u00a0(Brasil, 2009, 23\u2032)<em><br \/><\/em>Under the moonlight illuminating the church, a priest witnesses astonishing events.<em><br \/><\/em>The film is an adaptation of the eponymous short story by Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Helena Lustosa<em><br \/><\/em><strong>Cast:<\/strong>\u00a0Juliana Terra, Elder Cardozo, Luis Bruno Rezende, Paulo Lamego, Roberto Lopes, Pablo Henrique, Rodrigo Hallvys, Alvaro Machado, Nat\u00e1lia Corr\u00eaa Nami<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><strong>07\/08\/2026 \u2013 16 horas<\/strong><\/p>\n<p><strong><em>U<\/em><\/strong><strong><em>Alcibiades&#039; Visit<\/em><\/strong>\u00a0(Brasil, 2009, 23\u2032)<em><br \/><\/em>Joaquim Soares receives an unusual visit from a Greek Olympic hero.<em><br \/><\/em>The film is a loose adaptation of the eponymous short story by Machado de Assis.<em><br \/><\/em><strong>Direction:<\/strong>\u00a0Oct\u00e1vio Bezerra<em><br \/><\/em><strong>Participa\u00e7\u00e3o Especial:<\/strong>\u00a0Tonico Pereira<em><br \/><\/em>A classifica\u00e7\u00e3o indicativa do filme \u00e9 livre.<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><!-- \/wp:paragraph --><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>TERMO DE FOMENTO N\u00ba 304\/2026PROCESSO SCEC-PRC-2026-00159-DMDemanda 100870UGE\u00a0120125 O projeto CINEMA &amp; LITERATURA [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":11296,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60,30],"tags":[],"class_list":["post-11289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinematografo","category-projetos"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>CINEMA &amp; LITERATURA - Cine Clube Cauim<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cauim.org\/en\/cinema-literature-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CINEMA &amp; LITERATURA - Cine Clube Cauim\" \/>\n<meta property=\"og:description\" content=\"TERMO DE FOMENTO N\u00ba 304\/2026PROCESSO SCEC-PRC-2026-00159-DMDemanda 100870UGE\u00a0120125 O projeto CINEMA &amp; LITERATURA [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cauim.org\/en\/cinema-literature-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Cine Clube Cauim\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-18T16:10:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-30T11:15:29+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/capa.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"marcoal.lucchetti\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"marcoal.lucchetti\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"32 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/cauim.org\/cinema-literatura-2\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/cauim.org\/cinema-literatura-2\/\"},\"author\":{\"name\":\"marcoal.lucchetti\",\"@id\":\"https:\/\/cauim.org\/#\/schema\/person\/3f1c3cdcd0cfeb72cea8b62c3585a4dc\"},\"headline\":\"CINEMA &amp; LITERATURA\",\"datePublished\":\"2026-05-18T16:10:07+00:00\",\"dateModified\":\"2026-07-30T11:15:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/cauim.org\/cinema-literatura-2\/\"},\"wordCount\":5330,\"publisher\":{\"@id\":\"https:\/\/cauim.org\/#organization\"},\"articleSection\":[\"Cinemat\u00f3grafo\",\"Projetos\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cauim.org\/cinema-literatura-2\/\",\"url\":\"https:\/\/cauim.org\/cinema-literatura-2\/\",\"name\":\"CINEMA &amp; LITERATURA - Cine Clube Cauim\",\"isPartOf\":{\"@id\":\"https:\/\/cauim.org\/#website\"},\"datePublished\":\"2026-05-18T16:10:07+00:00\",\"dateModified\":\"2026-07-30T11:15:29+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/cauim.org\/cinema-literatura-2\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/cauim.org\/cinema-literatura-2\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/cauim.org\/cinema-literatura-2\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"In\u00edcio\",\"item\":\"https:\/\/cauim.org\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"CINEMA &amp; LITERATURA\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/cauim.org\/#website\",\"url\":\"https:\/\/cauim.org\/\",\"name\":\"Cine Clube Cauim\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/cauim.org\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/cauim.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/cauim.org\/#organization\",\"name\":\"Cine Clube Cauim\",\"url\":\"https:\/\/cauim.org\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/cauim.org\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/cauim.org\/wp-content\/uploads\/2023\/06\/cauim-roxo.png\",\"contentUrl\":\"https:\/\/cauim.org\/wp-content\/uploads\/2023\/06\/cauim-roxo.png\",\"width\":596,\"height\":161,\"caption\":\"Cine Clube Cauim\"},\"image\":{\"@id\":\"https:\/\/cauim.org\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.instagram.com\/cauimoficial\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/cauim.org\/#\/schema\/person\/3f1c3cdcd0cfeb72cea8b62c3585a4dc\",\"name\":\"marcoal.lucchetti\",\"url\":\"https:\/\/cauim.org\/en\/author\/marcoal-lucchetti\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"CINEMA &amp; LITERATURE - Cauim Film Club","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/cauim.org\/en\/cinema-literature-2\/","og_locale":"en_US","og_type":"article","og_title":"CINEMA &amp; LITERATURA - Cine Clube Cauim","og_description":"TERMO DE FOMENTO N\u00ba 304\/2026PROCESSO SCEC-PRC-2026-00159-DMDemanda 100870UGE\u00a0120125 O projeto CINEMA &amp; LITERATURA [&hellip;]","og_url":"https:\/\/cauim.org\/en\/cinema-literature-2\/","og_site_name":"Cine Clube Cauim","article_published_time":"2026-05-18T16:10:07+00:00","article_modified_time":"2026-07-30T11:15:29+00:00","og_image":[{"width":1920,"height":1080,"url":"http:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/capa.jpg","type":"image\/jpeg"}],"author":"marcoal.lucchetti","twitter_card":"summary_large_image","twitter_misc":{"Written by":"marcoal.lucchetti","Est. reading time":"32 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/cauim.org\/cinema-literatura-2\/#article","isPartOf":{"@id":"https:\/\/cauim.org\/cinema-literatura-2\/"},"author":{"name":"marcoal.lucchetti","@id":"https:\/\/cauim.org\/#\/schema\/person\/3f1c3cdcd0cfeb72cea8b62c3585a4dc"},"headline":"CINEMA &amp; LITERATURA","datePublished":"2026-05-18T16:10:07+00:00","dateModified":"2026-07-30T11:15:29+00:00","mainEntityOfPage":{"@id":"https:\/\/cauim.org\/cinema-literatura-2\/"},"wordCount":5330,"publisher":{"@id":"https:\/\/cauim.org\/#organization"},"articleSection":["Cinemat\u00f3grafo","Projetos"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/cauim.org\/cinema-literatura-2\/","url":"https:\/\/cauim.org\/cinema-literatura-2\/","name":"CINEMA &amp; LITERATURE - Cauim Film Club","isPartOf":{"@id":"https:\/\/cauim.org\/#website"},"datePublished":"2026-05-18T16:10:07+00:00","dateModified":"2026-07-30T11:15:29+00:00","breadcrumb":{"@id":"https:\/\/cauim.org\/cinema-literatura-2\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/cauim.org\/cinema-literatura-2\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/cauim.org\/cinema-literatura-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"In\u00edcio","item":"https:\/\/cauim.org\/"},{"@type":"ListItem","position":2,"name":"CINEMA &amp; LITERATURA"}]},{"@type":"WebSite","@id":"https:\/\/cauim.org\/#website","url":"https:\/\/cauim.org\/","name":"Cauim Film Club","description":"","publisher":{"@id":"https:\/\/cauim.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/cauim.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/cauim.org\/#organization","name":"Cauim Film Club","url":"https:\/\/cauim.org\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/cauim.org\/#\/schema\/logo\/image\/","url":"https:\/\/cauim.org\/wp-content\/uploads\/2023\/06\/cauim-roxo.png","contentUrl":"https:\/\/cauim.org\/wp-content\/uploads\/2023\/06\/cauim-roxo.png","width":596,"height":161,"caption":"Cine Clube Cauim"},"image":{"@id":"https:\/\/cauim.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.instagram.com\/cauimoficial\/"]},{"@type":"Person","@id":"https:\/\/cauim.org\/#\/schema\/person\/3f1c3cdcd0cfeb72cea8b62c3585a4dc","name":"marcoal.lucchetti","url":"https:\/\/cauim.org\/en\/author\/marcoal-lucchetti\/"}]}},"_links":{"self":[{"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/posts\/11289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/comments?post=11289"}],"version-history":[{"count":181,"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/posts\/11289\/revisions"}],"predecessor-version":[{"id":12667,"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/posts\/11289\/revisions\/12667"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/media\/11296"}],"wp:attachment":[{"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/media?parent=11289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/categories?post=11289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cauim.org\/en\/wp-json\/wp\/v2\/tags?post=11289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}