{"id":11289,"date":"2026-05-13T13:10:07","date_gmt":"2026-05-13T16:10:07","guid":{"rendered":"https:\/\/cauim.org\/?p=11289"},"modified":"2026-05-14T09:55:35","modified_gmt":"2026-05-14T12:55:35","slug":"cinema-literatura-2","status":"publish","type":"post","link":"https:\/\/cauim.org\/en\/cinema-literatura-2\/","title":{"rendered":"CINEMA & LITERATURE"},"content":{"rendered":"
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TERMO DE FOMENTO N\u00ba 304\/2026
<\/em>P<\/strong>ROCESSO SCEC-PRC-2026-00159-DM
<\/em>D<\/strong>emanda 100870
<\/em>U<\/strong>GE\u00a0120125<\/strong><\/p>\n

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Cinema has always looked to literature for themes and plots that have given rise to films of the most varied genres.
<\/em>Muitos desses filmes alcan\u00e7aram grande sucesso de p\u00fablico e\/ou se tornaram verdadeiros cl\u00e1ssicos. A palavra escrita, ferramenta fundamental da Literatura, exige talvez mais esfor\u00e7o do que a imagem, para ser entendida pelo receptor. Mas ambas, palavra escrita e imagem, necessitam da mente humana no processo de defini\u00e7\u00e3o do discurso. E a pr\u00f3pria palavra \u201c"imagine"\u201d<\/em> This already allows us to understand that all human thought is structured as an image. In other words, the world can only be thought about through images.
<\/em>Following this preamble, we want to say that the films shown in the sessions CINEMA & LITERATURE<\/strong> They seek, in various ways, to account for this relationship between the written word and the image, in a process that scholars would call transcoding.
<\/em>E estes s\u00e3o os filmes, todos baseados em cl\u00e1ssicos da Literatura Brasileira, selecionados para serem exibidos, de forma gratuita, nas sess\u00f5es CINEMA & LITERATURE<\/strong>:<\/p>\n

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Vidas Secas<\/strong><\/em> (1963, 103′)
<\/em>O filme mostra a jornada de uma fam\u00edlia de retirantes \u2013 Fabiano, Sinh\u00e1 Vit\u00f3ria, os dois filhos e a cachorra Baleia \u2013 que foge da seca no sert\u00e3o nordestino em busca de sobreviv\u00eancia.
<\/em>O filme, integrante da primeira fase do Cinema Novo, \u00e9 baseado no romance hom\u00f4nimo de Graciliano Ramos (1892-1953).
<\/em>Direction:<\/strong> Nelson Pereira dos Santos
<\/em>Cast:<\/strong> \u00c1tila I\u00f3rio, Maria Ribeiro, Jofre Soares, Genivaldo Lima, Gilvan Lima, Orlando Macedo, Pedro Santos, Maria Rosa, a cadela Baleia<\/p>\n

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A scene from<\/em> Vidas Secas, mostrando \u00c1tila I\u00f3rio, Maria Ribeiro e a cadela Baleia.<\/em><\/p>\n

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Macuna\u00edma<\/em><\/strong> (1969, 105′)
Macuna\u00edma<\/em> narra a hist\u00f3ria de um anti-her\u00f3i, ou melhor, \u201cum her\u00f3i sem nenhum car\u00e1ter\u201d<\/em>, nascido no fundo da mata virgem. De preto ele vira branco, ao passar por uma fonte milagrosa, e troca a mata pela cidade, onde vive incr\u00edveis aventuras, acompanhado de seus irm\u00e3os. Na cidade, nosso \u201cher\u00f3i\u201d<\/em>, segue um caminho surreal, conhecendo e amando a guerrilheira Ci e enfrentando o vil\u00e3o milion\u00e1rio antropof\u00e1gico Venceslau Pietro Pietra.
<\/em>Um dos \u00faltimos representantes do Cinema Novo, o filme \u00e9 uma adapta\u00e7\u00e3o do romance Modernista hom\u00f4nimo de M\u00e1rio de Andrade (1893-1945).
<\/em>Direction:<\/strong> Joaquim Pedro de Andrade
<\/em>Cast:<\/strong> Grande Otelo, Paulo Jos\u00e9, Dina Sfat, Jardel Filho, Milton Gon\u00e7alves, Rodolfo Arena, Joana Fomm<\/p>\n

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Grande Otelo (pseud\u00f4nimo art\u00edstico de Sebasti\u00e3o Bernardes de Souza Prata, 1915-1993), numa cena de<\/em> Macuna\u00edma.<\/em><\/p>\n

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Saint Bernard<\/strong><\/em> (1972, 114′)
<\/em>Paulo Hon\u00f3rio, a humble traveling salesman, manages to become a prosperous farmer by resorting to violent methods. He acquires the S\u00e3o Bernardo farm and marries Madalena, the enlightened schoolteacher from the city. Then, conflict arises when Madalena refuses to be treated as Paulo Hon\u00f3rio's property.
<\/em>Filme baseado no romance hom\u00f4nimo de Graciliano Ramos.
<\/em>Direction:<\/strong> Leon Hirszman
<\/em>Cast:<\/strong> Othon Bastos, Isabel Ribeiro, Rodolfo Arena, Vanda Lacerda, M\u00e1rio Lago, Nildo Parente, Jofre Soares<\/p>\n

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Othon Bastos, interpretando Paulo Hon\u00f3rio, em <\/em>Saint Bernard.<\/em><\/p>\n

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The Hour of the Star<\/em><\/strong> (1985, 96′)
<\/em>Aos dezenove anos de idade, Macab\u00e9a, uma jovem \u00f3rf\u00e3, s\u00f3 no mundo, vem do Nordeste tentar a vida na cidade de S\u00e3o Paulo. Ent\u00e3o, acontece-lhe diversas perip\u00e9cias, que servem para mostrar um melodrama social.
<\/em>The Hour of the Star<\/em> \u00e9 uma bem-sucedidas adapta\u00e7\u00e3o do romance hom\u00f4nimo de Clarice Lispector (nascida Chaya Pinkhasivna Lispector, 1920-1977).
<\/em>Direction:<\/strong> Suzana Amaral
<\/em>Cast:<\/strong> Marc\u00e9lia Cartaxo, Jos\u00e9 Dumont, Tamara Taxman, Fernanda Montenegro, Denoy de Oliveira, Lizete Negreiros, Umberto Magnani, Claudia Resende, Maria do Carmo Soares<\/p>\n

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Jos\u00e9 Dumont e Marc\u00e9lia Cartaxo, numa cena de<\/em> The Hour of the Star.\u00a0<\/em><\/p>\n

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TERMO DE FOMENTO N\u00ba 304\/2026PROCESSO SCEC-PRC-2026-00159-DMDemanda 100870UGE\u00a0120125 O Cinema sempre buscou na […]<\/p>\n","protected":false},"author":3,"featured_media":11296,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[60,30],"tags":[],"class_list":["post-11289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinematografo","category-projetos"],"acf":[],"yoast_head":"\nCINEMA & LITERATURA - Cine Clube Cauim<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cauim.org\/en\/cinema-literatura-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CINEMA & LITERATURA - Cine Clube Cauim\" \/>\n<meta property=\"og:description\" content=\"TERMO DE FOMENTO N\u00ba 304\/2026PROCESSO SCEC-PRC-2026-00159-DMDemanda 100870UGE\u00a0120125 O Cinema sempre buscou na […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/cauim.org\/en\/cinema-literatura-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Cine Clube Cauim\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-13T16:10:07+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-14T12:55:35+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/cauim.org\/wp-content\/uploads\/2026\/05\/capa.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"marcoal.lucchetti\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"marcoal.lucchetti\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/cauim.org\/cinema-literatura-2\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/cauim.org\/cinema-literatura-2\/\"},\"author\":{\"name\":\"marcoal.lucchetti\",\"@id\":\"https:\/\/cauim.org\/#\/schema\/person\/3f1c3cdcd0cfeb72cea8b62c3585a4dc\"},\"headline\":\"CINEMA & LITERATURA\",\"datePublished\":\"2026-05-13T16:10:07+00:00\",\"dateModified\":\"2026-05-14T12:55:35+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/cauim.org\/cinema-literatura-2\/\"},\"wordCount\":629,\"publisher\":{\"@id\":\"https:\/\/cauim.org\/#organization\"},\"articleSection\":[\"Cinemat\u00f3grafo\",\"Projetos\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/cauim.org\/cinema-literatura-2\/\",\"url\":\"https:\/\/cauim.org\/cinema-literatura-2\/\",\"name\":\"CINEMA & LITERATURA - 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